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DTSTART;TZID=America/New_York:20240808T193000
DTEND;TZID=America/New_York:20240808T193000
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UID:10002872-1723145400-1723145400@uniondocs.org
SUMMARY:Lydia Greer: In Praise of Shadows
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text]Doors 7:30p\nProgram 8:00p[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_column_text]UnionDocs\n352 Onderdonk Ave\nRidgewood\, NY[/vc_column_text][vc_column_text css=””][/vc_column_text][vc_column_text css=””][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_video link=”https://vimeo.com/988788980″ css=””][vc_empty_space height=”30px”][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””]We’re delighted to welcome Lydia Greer to UnionDocs! Facing West Shadows Artistic Director and Interdisciplinary artist Lydia Greer will present their work with shadows in cinematic sculptural installation\, animation\, film/video\, expanded cinema performance\, puppetry\, and recent work with Facing West Shadows. Lydia will perform two live expanded cinema pieces and demonstrate and share her puppets and processes afterward.  \nFacing West Shadows: The Endless End is a cinematic\, sculptural installation and now a live expanded cinema performance that illuminates the perpetuation of extinction and survival. Through film\, shadow puppetry\, stop motion animation\, and rich soundscapes\, this immersive work addresses the endurance and demise of specific North American species and the interconnectedness of ecosystems. Using found historical footage\, shadow puppetry\, and early photographic studies\, this work marks the passage of time and explores humanity’s complex role as prey\, predator\, caretaker\, and destroyer.  \nHallucinations is an experimental animated film and now a live expanded cinema performance  by artist Lydia Greer featuring shadow puppets\, performing objects\, and cut-paper animation. It is inspired by the life and poetry of Mirabai\, a legendary 16th-century poet and street performer in Rajasthan\, India. Hallucinations tells Mirabai’s story of escaping societal violence against women\, her survival\, and her freedom through transcendent and ecstatic experiences with Krishna in the mountains set to Harbison’s Mirabai Songs. Hallucinations has been performed as a live opera with Shauna Fallihee at the Exploratorium Museum (San Francisco) and installed as a cinematic sculptural media installation at Kala Art Institute (Berkeley).   \n*Title inspired by the book In Praise of Shadows ( a 1933 essay on Japanese aesthetics by the Japanese author Jun’ichirō Tanizaki.) \nFacing West Shadows: Lysistrata is exhibited as a multi-channel animated/cinematic frieze/mural sculptural audio visual installation created with projected hand-made animation\, puppets\, and cast shadows and is also performed as expanded cinema. It takes its title from the striking mental image of Lysistrata (411 BC)\, an Ancient Greek Theatre Tragi-Comedy by Aristophanes\, which tells a tale of a group of women Led by Lysistrata\, whose name means “Army Disbander\,” who boldly leads the efforts of women to end the ongoing decades-long horrors of the Peloponnesian War between Athens and Sparta to create peace between endlessly warring factions. Their tactic is to withhold all sex from the continuously warring men\, to occupy the treasury (and re-distribute the money) and government buildings (Parthenon\, the seat of political power in Athens)\, and to develop alliances with the women of Sparta (by breaking them out of prison) to bring the war to a close. Themes of ancient Greek feminine pursuits of weaving and spinning\, the use of everyday domestic items\, and bawdy sexual euphemisms are sprinkled throughout the play. The play of gender and power in dance\, ancient Comedy Masks\, Karagiozi shadow puppetry\, looping images and visual echos\, euphemisms\, analogies\, taboos\, visual symbols\, and symbols of protest and resistance within the long tradition of art taking on the subject of war and resistance across cultures and time. (Lydia Greer (artistic director of Facing West Shadows) collaborated with the artist and shadow performer YaWen Chien on Facing West Shadows: Lysistrata (2024\, which was created at MeMeraki Artist Residency\, Limassol\, Cyprus\, Artwork by YaWen Chien and Lydia Greer\, editing by Lydia Greer) \nSending a huge thank you to A Clockface Orange\, the artist group who is generously sharing their lighting equipment with us for this event.  The group puts on collaborative liquid-light shows to accompany live performance pieces — check out their work! \nCome through![/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nProgram \n[/vc_column_text][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””] \nFacing West Shadows: The Endless End\n[/vc_column_text][vc_column_text css=””]Created by Facing West Shadows and Performed by Lydia Greer \nUnited States\, 2022\, RT: 25 minutes[/vc_column_text][vc_column_text css=””]Facing West Shadows: The Endless End is a cinematic\, sculptural installation also performed as a multichannel expanded cinema by Lydia Greer that illuminates the perpetuation of extinction and survival\, the disrupted life cycles of native plants and animals\, aquatic systems\, and fire ecologies as affected by anthropogenic climate change. The viewer’s attention is guided through projected moving images\, hand-made animation\, and cast shadows with a multi-dimensional soundscape. Collapsing and expanding time\, North American species will live and die within a looping\, overlapping\, multichannel\, and multidirectional projection. Our role as animals within a system and as the planet’s apex predator is illuminated in a sculptural environment. As in proto-cinematic cave paintings and ancient shadow theatre storytelling traditions\, Facing West Shadows: The Endless End seeks to understand non-human species and our relationships with them. \nBy weaving multiple moving images of Bay Area/North American ecologies\, mycorrhizal networks\, mirror neurons\, fire\, and water\, Facing West Shadows: The Endless End takes the viewer on a time-based and immersive journey through cycles of ecological and species extinction and sometimes\, survival. \nThe Endless End was created at the DEAR residency for time-based arts in 2020 (Oakland\, CA) during the COVID-19 pandemic\, while the skies were apocalyptically tinged orange with wildfire smoke. The piece was then installed as a looping 750 sq ft multi-channel cinematic sculptural installation at the San Jose Institute of Contemporary Art for five months in 2022. Facing West Shadows worked together to create the installation (principal members: Lydia Greer (artistic director) and Caryl Kientz (theatrical director) in collaboration with artist Ya Wen Chien with additional artwork provided by John Hundley Greer and children who created and sent bird and insect puppets to Facing West Shadows during the pandemic. Music composed by Kristina Dutton and Fay LaRoque. [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””] \nHallucinations\n[/vc_column_text][vc_column_text css=””]Created and Performed by Lydia Greer \nUnited States\, 2018\, RT: 10 minutes[/vc_column_text][vc_column_text css=””]Hallucinations is an experimental stop-motion animated film by artist Lydia Greer featuring puppets\, performing objects\, and cut paper. Hallucinations is inspired by the life and poetry of Mirabai\, a legendary 16th-century poet and street performer in Rajasthan\, India. Hallucinations tells Mirabai’s story of escaping gender-based violence\, survival\, freedom\, joy\, and ultimate transformation. On her husband’s death\, she refused to join him on the funeral pyre\, escaping to the mountains to find freedom as Krishna’s lover\, enveloped in the supernatural. Performed at UnionDocs is a 10-minute expanded cinema iteration of a longer version of Hallucinations\, usually performed as a LIVE “animated” opera (Mirabai Songs by John Harbison performed by my collaborator\, the operatic vocalist Shauna Fallihee) or used in a large-scale multiple-channel sculptural installation with the same title.  [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””] \nFacing West Shadows: Lysistrata\n[/vc_column_text][vc_column_text css=””]Created and Performed by Lydia Greer \nUnited States\, 2024 work-in-progress\, 15 – 20 min[/vc_column_text][vc_column_text css=””]Facing West Shadows: Lysistrata is exhibited as a multi-channel animated/cinematic frieze/mural sculptural audio visual installation created with projected hand-made animation\, puppets\, and cast shadows and is also performed as expanded cinema. It takes its title from the striking mental image of Lysistrata (411 BC)\, an Ancient Greek Theatre Tragi-Comedy by Aristophanes\, which tells a tale of a group of women Led by Lysistrata\, whose name means “Army Disbander\,” who boldly leads the efforts of women to end the ongoing decades-long horrors of the Peloponnesian War between Athens and Sparta to create peace between endlessly warring factions. Their tactic is to withhold all sex from the continuously warring men\, to occupy the treasury (and re-distribute the money) and government buildings (Parthenon\, the seat of political power in Athens)\, and to develop alliances with the women of Sparta (by breaking them out of prison) to bring the war to a close. Themes of ancient Greek feminine pursuits of weaving and spinning\, the use of everyday domestic items\, and bawdy sexual euphemisms are sprinkled throughout the play. The play of gender and power in dance\, ancient Comedy Masks\, Karagiozi shadow puppetry\, looping images and visual echos\, euphemisms\, analogies\, taboos\, visual symbols\, and symbols of protest and resistance within the long tradition of art taking on the subject of war and resistance across cultures and time. (Lydia Greer (artistic director of Facing West Shadows) collaborated with the artist and shadow performer YaWen Chien on Facing West Shadows: Lysistrata (2024\, which was created at MeMeraki Artist Residency\, Limassol\, Cyprus\, Artwork by YaWen Chien and Lydia Greer\, editing by Lydia Greer)[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””] \nProgram Duration: 35 mins \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”40px”][vc_single_image image=”147742″ img_size=”full”][vc_column_text] \nWatch the conversation between Presenter1\, Presenter2 and Presenter 3 on the UnionDocs’ Membership hub. \n[/vc_column_text][vc_btn title=”Watch” style=”outline-custom” outline_custom_color=”#ffffff” outline_custom_hover_background=”#adadcc” outline_custom_hover_text=”#0000cd” shape=”round” align=”center” css_animation=”bounceIn”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nBios \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”151753″ img_size=”full” css=””][/vc_column][vc_column width=”2/3″][vc_column_text css=””]Lydia Greer is a widely exhibiting interdisciplinary visual artist\, filmmaker\, animator\, and the artistic director of Facing West Shadows\, a Lumia arts collective working with shadow casting/ hybridizing art forms to create magical acts of rebellion as experimental art in the gold rush climate of the San Francisco Bay Area. Expanding into film/animation\, theater/opera\, puppetry\, and sculptural installation\, Facing West Shadows creates surprising experiences for the audience by seamlessly combining old and new technologies and art forms. [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nFrom the Event \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][vc_media_grid style=”pagination” items_per_page=”1″ element_width=”12″ arrows_design=”vc_arrow-icon-arrow_01_left” arrows_position=”outside” arrows_color=”white” loop=”yes” item=”136647″ grid_id=”vc_gid:1722956580569-b12b6793-8ad0-4″ include=”147747\,147746\,147745″][vc_empty_space height=”30px”][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row]
URL:https://uniondocs.org/event/lydia-greer-in-praise-of-shadows-2024-08-08/
LOCATION:UnionDocs\, 352 Onderdonk Avenue\, 352 Onderdonk Avenue\, Ridgewood\, NY\, 11385\, United States
CATEGORIES:Screenings & Events
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=UnionDocs 352 Onderdonk Avenue 352 Onderdonk Avenue Ridgewood NY 11385 United States;X-APPLE-RADIUS=500;X-TITLE=352 Onderdonk Avenue:geo:-73.9507576,40.7099952
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240814T160000
DTEND;TZID=America/New_York:20240814T193000
DTSTAMP:20260429T222118
CREATED:20240803T181527Z
LAST-MODIFIED:20240812T193919Z
UID:10002886-1723651200-1723663800@uniondocs.org
SUMMARY:Open House with North Brooklyn Cultural Syndicate
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text]UnionDocs\n352 Onderdonk Ave\nRidgewood\, NY[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”30px”][vc_video link=”https://vimeo.com/851422192″][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””]Come hang out at UnionDocs this Wednesday as part of the NBCS Summer Open House! We’re thrilled to have Alexa Hoyer’s photo series\, FALLOW FRAMES\, on display in our front gallery space\, and are looking forward to sharing it with you\, showing recently produced films\, and chatting about what we do here at UnionDocs. \nThe North Brooklyn Cultural Syndicate is a joint initiative by Amant\, Brooklyn Public Library – Bushwick Branch\, Eyebeam\, International Studio & Curatorial Program (ISCP)\, Light Industry\, St. Nicks Alliance\, UnionDocs and Wendy’s Subway\, to further neighborhood relations\, share information\, and bring attention to the cultural offerings of the area. \nCollective Open House invites visitors to walk from one location to the next to join tours\, visit exhibitions\, and meet artists and organizers. All participants with public programs will be open\, hosting in-person events. All events are free. \nYou can download the event flyer here. \nBrooklyn Public Library – Bushwick Branch\n2–3pm: Outdoor games and activities including sidewalk chalk drawing\, Jenga\, and sign up for a library card. \nAmant\n5–6pm: Tour and screening of Creation Paradigm\, three- channel film by Joshua Serafin. Film draws on pre- colonial history and creation myths of the Philippine archipelago. \nLight Industry\n6–9pm: Open House with tours and film screenings. \nWendy’s Subway\n6–8pm: Library open hours with special collection displays\, one-on-one time with the Wendy’s Subway librarian\, and drop-in writing prompts and activities. \nUnionDocs\n4–7:30pm: Open House. Drop in to see photos by Alexa Hoyer\, view recently produced films and meet the team.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”40px”][vc_single_image image=”147742″ img_size=”full”][vc_column_text] \nWatch the conversation between Presenter1\, Presenter2 and Presenter 3 on the UnionDocs’ Membership hub. \n[/vc_column_text][vc_btn title=”Watch” style=”outline-custom” outline_custom_color=”#ffffff” outline_custom_hover_background=”#adadcc” outline_custom_hover_text=”#0000cd” shape=”round” align=”center” css_animation=”bounceIn”][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nFrom the Event \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][vc_media_grid style=”pagination” items_per_page=”1″ element_width=”12″ arrows_design=”vc_arrow-icon-arrow_01_left” arrows_position=”outside” arrows_color=”white” loop=”yes” item=”136647″ grid_id=”vc_gid:1723484993577-c3355813-35ae-9″ include=”147747\,147746\,147745″][vc_empty_space height=”30px”][/vc_column][/vc_row]
URL:https://uniondocs.org/event/2024-08-14-nbcs-collective-open-house-day/
LOCATION:UnionDocs\, 352 Onderdonk Avenue\, 352 Onderdonk Avenue\, Ridgewood\, NY\, 11385\, United States
CATEGORIES:Screenings & Events
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240818T193000
DTEND;TZID=America/New_York:20240818T193000
DTSTAMP:20260429T222118
CREATED:20240803T193426Z
LAST-MODIFIED:20240813T162617Z
UID:10002885-1724009400-1724009400@uniondocs.org
SUMMARY:Dear Mother\, I Meant to Write about Death 我们在黑夜的海上
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text]Doors 7:30p\nProgram 8:00p[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_column_text]UnionDocs\n352 Onderdonk Ave\nRidgewood\, NY[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”30px”][vc_video link=”https://vimeo.com/851422192″][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””]The last two screenings of the Nooks & Crannies series centered on young adults in their 20s as they endeavored to reconcile with their past and think about notions of home. This time\, the spotlight shifts to middle-aged and elderly individuals. These characters either have children who live far away or find themselves far from their own homes. The narrative delves into their lives\, showcasing their vitality and resilience as they navigate the complexities of everyday existence\, including the challenges of separations and farewells. These intimate portrayals capture the universal themes of connection\, loss\, and the enduring strength of the human spirit\, making the series a powerful exploration of life’s varied chapters. \nIn this focus\, we are beyond happy to welcome featured filmmaker of Siyi Chen to the event to be in a conversation hosted by filmmaker Ruoyun Chen.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nProgram \n[/vc_column_text][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””] \nDear Mother\, I Meant to Write about Death 我们在黑夜的海上 by Siyi Chen\n[/vc_column_text][vc_column_text css=””]63 mins\, 2022[/vc_column_text][vc_column_text css=””]It’s never easy to talk about mortality with our loved ones. It’s even harder between a physician mother who excels at hiding her emotions under rationality and a daughter who spent her childhood solving math problems next to the morgue. They avoid conversation about mortality and related feelings at all costs – until the mother becomes a cancer patient and the daughter becomes her caregiver.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””] \nQueens Ballroom by Siyi Chen & Hansen Lin\n[/vc_column_text][vc_column_text css=””]10 mins\, 2024[/vc_column_text][vc_column_text css=””]In a ballroom in Flushing\, Asian American immigrants are transported through dance\, revisiting the worlds they left behind and the lives they have created anew.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””] \nProgram Duration: 73 mins \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”40px”][vc_single_image image=”147742″ img_size=”full”][vc_column_text] \nWatch the conversation between Presenter1\, Presenter2 and Presenter 3 on the UnionDocs’ Membership hub. \n[/vc_column_text][vc_btn title=”Watch” style=”outline-custom” outline_custom_color=”#ffffff” outline_custom_hover_background=”#adadcc” outline_custom_hover_text=”#0000cd” shape=”round” align=”center” css_animation=”bounceIn”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nBios \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”152291″ img_size=”full” css=””][/vc_column][vc_column width=”2/3″][vc_column_text css=””]Siyi Chen (she/her) is a documentary director and editor based in New York City. She holds a BA in World History and Chinese Literature (dual degree) from Peking University (Beijing) and an MA in News and Documentary from New York University. Siyi worked as a video journalist for two years before venturing into long-form documentaries. \nSiyi’s feature documentary debut Dear Mother\, I Meant to Write about Death received support from the IDFA Bertha Fund\, Chicken & Egg Accelerator Lab\, SFFILM\, and the Asian Cinema Fund. The film premiered at Busan International Film Festival in Oct. 2022 and received a special mention from the Wide Angle Documentary Competition. It was also selected for IDFA 2022 and nominated for the Best First Feature Award. Siyi is also the winner of the SFFILM’s 2019 New American Fellowship and a former artist-in-residence at the Jacob Burns Film Center. In 2023\, Siyi was selected as a part of the first cohort of PBS’s Ignite Mentorship for Diverse Voices Initiatives. As an editor\, Siyi co-edited Made in Ethiopia (2024) which premiered at Tribeca Film Festival 2024 and is currently on the festival circuit. \nInspired by her cross-cultural background\, Siyi’s work explores migration\, identity\, and family dynamics\, with a special focus on creating lyrical and poetic portraits of women in the diaspora. Besides making documentaries\, Siyi also writes poems in both Mandarin and English.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nFrom the Event \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][vc_media_grid style=”pagination” items_per_page=”1″ element_width=”12″ arrows_design=”vc_arrow-icon-arrow_01_left” arrows_position=”outside” arrows_color=”white” loop=”yes” item=”136647″ grid_id=”vc_gid:1723566334848-ac8838fa-e6f5-9″ include=”147747\,147746\,147745″][vc_empty_space height=”30px”][/vc_column][/vc_row]
URL:https://uniondocs.org/event/2024-08-18-dear-mother-i-meant-to-write-about-death/
LOCATION:UnionDocs\, 352 Onderdonk Avenue\, 352 Onderdonk Avenue\, Ridgewood\, NY\, 11385\, United States
CATEGORIES:Screenings & Events
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