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DTSTART:20240310T070000
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DTSTART;TZID=America/New_York:20240911T190000
DTEND;TZID=America/New_York:20241218T220000
DTSTAMP:20260416T211731
CREATED:20240410T031322Z
LAST-MODIFIED:20241008T143445Z
UID:10002846-1726081200-1734559200@uniondocs.org
SUMMARY:Pod Pod
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text]Doors 6:30p\nProgram 7:00p[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_column_text]UnionDocs\n352 Onderdonk Ave\nRidgewood\, NY[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_video link=”https://vimeo.com/930320445″][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text]We’re thrilled to come together with the American LGBTQ+ Museum\, in partnership with the Incite Institute at Columbia University for Queer Ecologies\, a unique night that celebrates the intersection of the natural world and the LGBTQ+ community. Programmed with writer / art historian specializing in queer art and culture Ksenia M. Soboleva\, this program features a curated selection of films and oral histories highlighting diverse perspectives on nature\, identity\, and personal journeys within the LGBTQ+ spectrum. \nThis selection of thought-provoking films and intimate storytelling explores connections between the natural world and queer experience\, from Sasha Wortzel’s punk rock fairytale that brings to life the portraiture of Shoog McDaniel — a fat\, queer\, and disabled photographer working in and around northern Florida’s vast network of freshwater spring\, to what Soboleva describes recently in Bomb Magazine as Amina Ross’s “deeply visceral\, imagery…[that] heightens viewers’ awareness of the relationship to their own body and its movements through a world that is seemingly more concerned with demolishing than building.”  \nWe’ll also be invited to listen in on a sample from J. Wortham’s forthcoming oral history project that delves into elders resilience amidst changing tides and explore Ohan Breiding’s reflection on collective care and memory through the telling of the Rhône glacier and Rhône river that connects the Swiss Alps to the Mediterranean Sea.  \nEach work uniquely sheds light on the beauty\, challenges\, and resilience often found within the these intersections between our natural world and identity.  \nWhether you are a nature enthusiast\, an LGBTQ+ ally\, or someone interested in engaging this notion of queer ecologies\, this event offers a space for reflection\, celebration\, and meaningful dialogue.  Join us as we delve into compelling stories that inspire\, educate\, and amplify voices often underrepresented in mainstream media at the crossroads of nature and LGBTQ+ experiences.  \nA conversation will follow the program with featured artists Amina Ross\, Sasha Wortzel\, Ohan Breiding & J.Wortham moderated by Suhaly Bautista-Carolina Director of Public Programs & Partnerships at the American LGBTQ+ Museum.   \nSpecial thanks to Baldwin for the Arts and the rest of our collaborators Kenia Hale (Incite Institute)\, Michael Falco (Incite Institute)\, & SC Lucier (American LGBTQ+ Museum) for all their efforts to bring together this celebratory night of works. [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nProgram \n[/vc_column_text][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text] \nBelly of a Glacier: Chapter 2 (Rhône) by Ohan Breiding\n[/vc_column_text][vc_column_text]14:15 mins\, 2023\, 2k video\, 16mm\, sound[/vc_column_text][vc_column_text]Belly of a Glacier: Chapter 2\, Rhône (2023) uses experimental documentary strategies to reflect on the Rhône glacier and Rhône river that connects the Swiss Alps to the Mediterranean Sea. During the last three springs\, the neighboring Rhône glacier town residents have draped thermal blankets over the five-acres long glacier. This is a community-initiated project that insulates the Alpine landscape from the rising temperatures\, and experiments with new strategies of ecological care as the Rhône is predicted to have fully disappeared by 2050. Belly of a Glacier: Chapter 2\, Rhône translates a hyperobject–an object or event whose dimensions in space and time are massive in relation to a human/animal life–into haptic imagery of melting ice\, disintegrating fabric\, photographs of photographs my mother took on the Rhône glacier during my childhood and the bovidae that rely on the glaciers water for survival. Beginning with a cow birth that poetically connects to the climactic calving of a glacier\, this video offers a new conception of time (beyond the linear)\, and place (beyond fixity). Through a focus on affect\, the memory of ice and collective care\, I gesture towards a trans reimagining of our material world and amplify the current state of climate emergency.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text] \nHow to Carry Water by Sasha Wortzel\n[/vc_column_text][vc_column_text]This punk rock fairytale doubles as a portrait of Shoog McDaniel — a fat\, queer\, and disabled photographer working in and around northern Florida’s vast network of freshwater springs\, the state’s source of precious drinking water. For over a decade\, Shoog’s photographs have transformed the way fat people view themselves and how a fat phobic society views fat bodies. Bringing Shoog’s photography to life\, the film immerses audiences in a world of fat beauty and liberation\, one in which marginalized bodies — including bodies of water — are sacred.[/vc_column_text][vc_column_text]14:25 mins[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text] \nWaterfront Queer Stories: Elders Resilience Amidst Changing Tides by J. Wortham (sample)\n[/vc_column_text][vc_column_text]This project is produced out of the “I See My Light Shining: Baldwin-Emerson Elders Project.” [/vc_column_text][vc_column_text]4 mins[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text] \n “I am under” by Amina Ross\n[/vc_column_text][vc_column_text]In I am under the rock\, Ross constructs a multisensory environment comprising reclaimed materials\, video and experimental audio\, all in dialogue with the architecture of the space\, and particularly the arched windows. Extending their interest in “the underground” from their recent work Man’s Country\, about a former\, queer bathhouse\, Ross’s project develops a realm for marginalized figures to exist and thrive in safety and to exercise agency. Negotiating vulnerability and resiliency\, Ross draws connections with spirituality and subterranean networks in the natural world. Ross contemplates being a part of the land—“beneath the earth and made of earth”—rather than extracting from it or overlooking it.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text] \nProgram Duration: 79 mins \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”40px”][vc_single_image image=”147742″ img_size=”full”][vc_column_text] \nWatch the conversation between Presenter1\, Presenter2 and Presenter 3 on the UnionDocs’ Membership hub. \n[/vc_column_text][vc_btn title=”Watch” style=”outline-custom” outline_custom_color=”#ffffff” outline_custom_hover_background=”#adadcc” outline_custom_hover_text=”#0000cd” shape=”round” align=”center” css_animation=”bounceIn”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nBios \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”150495″ img_size=”full”][/vc_column][vc_column width=”2/3″][vc_column_text]Amina Ross is an artist\, educator and lifelong learner who makes videos\, sculptures\, sounds\, and situations. Their work has been recently exhibited at Someday (New York\, NY)\, the Hessel Museum of Art (Hudson\, NY)\, the Tang Teaching Museum (Saratoga Springs\, NY) and Sentiment (Zurich\, CH) among other venues. In the summer of 2023 they were a featured artist at the 68th annual Flaherty Film Seminar: Queer World Mending and in winter of 2024 they were a Macdowell Fellow. Currently\, Ross is the 2023-2024 Estelle Lebowitz Artist in Residence at Douglass College\, Rutgers University. They recently completed residencies at Fire Island Artist Residency\, Lower East Side Printshop\, Skowhegan School of Sculpture and Painting\, Wave Hill\, Abrons Art Center\, and Harvestworks among others. They hold a BFA from School of the Art Institute of Chicago and an MFA from Yale School of Art\, where they received the Fannie B. Pardee Prize in sculpture. \nAs an educator\, Ross approaches the classroom as a site where they can co-create critical agency with students. They have taught at the Museum of Contemporary Art\, Chicago\,The School of the Art Institute of Chicago\, Rhode Island School of Design\, Parsons School of Design\, The New School\, and Vassar College. \nRoss lives and works in Brooklyn\, New York.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”150494″ img_size=”full”][/vc_column][vc_column width=”2/3″][vc_column_text] \nSasha Wortzel uses video\, installation\, sculpture\, sound\, and performance to explore how this country’s past and present are inextricably linked through resonant spaces and their hauntings. Raised in South Florida (Miccosukee and Seminole lands) and based in New York City (Lenape lands)\, Wortzel specifically attends to sites and stories systematically erased or ignored from these regions’ histories. Tangled dynamics of desire and loss layered in the landscape and reverberating across time form a through-line in her work. \nWortzel’s films have screened at the Museum of Modern Art’s DocFortnight\, CPH:DOX\, True/False Film Festival\, San Francisco International Film Festival\, DOC NYC\, BAMcinemaFest\, New Orleans Film Festival\, Wexner Center for the Arts\, and Smithsonian American Art Museum\, among others. Solo exhibitions include Dreams of Unknown Islands at Cooley Memorial Art Gallery with Portland Institute of Contemporary Art\, Portland\, OR (2022) . \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”150493″ img_size=”full”][/vc_column][vc_column width=”2/3″][vc_column_text]Ohan Breiding works in photography\, drawing\, video\, and collaboration to represent subjects that are marked deviant or illegible\, and to experiment with forms of world-making that offer an alternative to state sanctioned legitimation. Breiding attended Scripps College\, the Glasgow School of Art and received their Masters from CalArts. \nThey have exhibited work at art venues and museums including LAMAG (Los Angeles)\, Photo LA (Los Angeles)\, LAXART (Los Angeles)\, Human Resources (Los Angeles)\, Elga Wimmer Gallery (New York)\, the Armory Center for the Arts (Pasadena)\, Southern Exposure (San Francisco)\, the Berkeley Art Museum and Pacific Film Archive (Berkeley)\, the Yerba Buena Center for the Arts (San Francisco) and the Oakland Museum of California (Oakland). Breiding is a recipient of the 2017 Rema Hort Mann Emerging Artist Grant\, and their work has been written about in Artforum\, Hyperallergic\, and Art in America amongst other publications. Originally from a small village in Switzerland\, Ohan Breiding currently lives and works in Los Angeles\, CA and Williamstown\, MA where they are an Assistant Professor of Art and Art History at Williams College.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”150532″ img_size=”full”][/vc_column][vc_column width=”2/3″][vc_column_text]J. Wortham (they/them) is a sound healer\,\, reiki practitioner\, herbalist\, and community care worker oriented towards healing justice and liberation. \nJ is also a staff writer for The New York Times Magazine\, and co-host of the podcast ‘Still Processing\,’ They occasionally publish thoughts on culture\, technology and wellness in a newsletter. \nJ is the proud editor of the visual anthology “Black Futures\,” a 2020 Editor’s choice by The New York Times Book Review\, along with Kimberly Drew\, from One World. J is also currently working on a book about the body and dissociation for Penguin Press. J mostly lives and works on stolen Munsee Lenape land\, now known as Brooklyn\, New York\, and is committed to decolonization as a way of life.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”150534″ img_size=”full”][/vc_column][vc_column width=”2/3″][vc_column_text]Suhaly Bautista-Carolina (she/they/we/us) joined the American LGBTQ+ Museum in February 2023. Prior to our museum\, Suhaly acted as the Senior Managing Educator of Audience Development and Engagement in the Metropolitan Museum of Art’s education department. Additionally\, Suhaly has held roles at the Caribbean Cultural Center African Diaspora Institute (CCCADI)\, Creative Time\, and Brooklyn Museum and has worked in various capacities with organizations including The Laundromat Project\, ArtBuilt\, and ArtChangeUS. She has curated exhibitions and public programs in collaboration with Myrtle Avenue Brooklyn Partnership\, Art Connects New York (ACNY)\, FOKUS\, and NYC Salt and is one of 50 field leaders profiled in Jasmin Hernandez’ 2021 book\, “We Are Here: Visionaries of Color Transforming the Art World.” \nHer herbalism practice\, as Moon Mother Apothecary\, has been featured in The New York Times\, Oprah Magazine\, and People en Español among others. Suhaly has presented her work as an arts educator and community organizer at conferences around the world including MuseumNext\, ArtPrize\, Open Engagement\, Culture Push\, The New York City Arts in Education Roundtable\, and POW Arts (Professional Organization of Women in the Arts). She is an executive board member of Weeksville Heritage Center in Brooklyn\, NY\, a national executive board member at ArtTable\, and Catalyst Co-Chair of The Laundromat Project. She is also a founding member of the arts collective\, present futures\, a member of Black Women Artists for Black Lives Matter\, and founder of BlackMagic Afrofuturism Book Club. \nSuhaly was recently named a 2021 Women inPower Fellow with the 92Y Belfer Center for Innovation and Social Impact and is a member of the inaugural class of NYFA’s Incubator for Executive Leaders of Color. She earned her BA and MPA from New York University and lives in her native city of New York with her wife and their daughter\, Luna.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”150537″ img_size=”full”][/vc_column][vc_column width=”2/3″][vc_column_text]Dr. Ksenia M. Soboleva is a New York based writer and art historian specializing in queer art and culture. She holds a PhD from the Institute of Fine Arts\, NYU\, with a dissertation on art\, AIDS\, and lesbian identity in the United States. Currently\, she is working on a book project titled “Friendship as a Way of Art: Queer Identity and Visual Citation\,” and co-editing the first monograph of the queer 1990s gallery Trial BALLOON (forthcoming with Karma). Soboleva is a regular contributor to the Brooklyn Rail and BOMB magazine\, and her writings have appeared in various exhibition catalogues and artist monographs. She teaches at the New School and NYU.[/vc_column_text][/vc_column][/vc_row][vc_row disable_element=”yes”][vc_column offset=”vc_hidden-xs”][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nFrom the Event \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][vc_media_grid style=”pagination” items_per_page=”1″ element_width=”12″ arrows_design=”vc_arrow-icon-arrow_01_left” arrows_position=”outside” arrows_color=”white” loop=”yes” item=”136647″ grid_id=”vc_gid:1712246253872-14775130-bbf8-7″][vc_empty_space height=”30px”][/vc_column][/vc_row]
URL:https://uniondocs.org/event/pod-pod-2024/
LOCATION:UnionDocs\, 352 Onderdonk Avenue\, 352 Onderdonk Avenue\, Ridgewood\, NY\, 11385\, United States
CATEGORIES:Workshops & Labs
ATTACH;FMTTYPE=image/gif:https://uniondocs.org/wp-content/uploads/2024/04/podpod-equipment-gif-2.gif
GEO:40.7099952;-73.9507576
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=UnionDocs 352 Onderdonk Avenue 352 Onderdonk Avenue Ridgewood NY 11385 United States;X-APPLE-RADIUS=500;X-TITLE=352 Onderdonk Avenue:geo:-73.9507576,40.7099952
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241001T180000
DTEND;TZID=America/New_York:20241001T203000
DTSTAMP:20260416T211731
CREATED:20240821T214305Z
LAST-MODIFIED:20240925T135132Z
UID:10002888-1727805600-1727814600@uniondocs.org
SUMMARY:AIRTIME x UNDO - Crossing the Bridge: The Sound of Istanbul
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=””]Doors & Music 6:00p\nProgram 7:00p[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_column_text css=””]Offsite\nMaria Hernandez Park\nHandball Court\nBrooklyn\, NY 11237[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_btn title=”RSVP!” style=”outline-custom” outline_custom_color=”#FFFFFF” outline_custom_hover_background=”#ADADCC” outline_custom_hover_text=”#0000CD” shape=”round” css=”” link=”url:https%3A%2F%2Fpartiful.com%2Fe%2FsCU60GG4Rj9ayUeoyYsU%3F”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”30px”][vc_video link=”https://vimeo.com/851422192″][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””]We’re thrilled to join Airtime to present an evening of outdoor music and film in Maria Hernandez Park\, where we’ll screen Fatih Akin’s cult documentary\, Crossing the Bridge: The Sound of Istanbul\, newly restored in 4K by MUBI. \nCrossing the Bridge: The Sound of Istanbul follows Alexander Hacke\, a member of the German experimental band Einstürzende Neubauten\, as he explores the city’s eclectic music scene. Hacke travels through Istanbul\, capturing performances by a variety of artists who represent the city’s unique fusion of Eastern and Western musical traditions. The documentary features a wide array of genres\, including traditional Turkish music\, rock\, hip-hop\, and electronic music\, highlighting Istanbul’s role as a cultural crossroads. We’re excited to screen this film outdoors\, as it’ll offer the opportunity to experience the city’s sound and energy alongside the kaleidoscopic musical breadth of Akin’s film. \nAirtime Online is an experimental and alternative streaming space created by visual artist and film curator Aslı Baykal which hosts newly produced or existing visual projects. The online platform aims to share inspiring works—one at a time—with a global audience\, carefully highlighting the world and storytelling built around each project. \nFounded in 2018 in New York\, the Airtime Screening Series is an interactive communal cinema experience that offers a screening format outside of traditional structures—an extension of Airtime Online that works to bridge communities online and off. A public platform championing accessibility in art\, it is a space for filmmakers at different career levels and backgrounds to show work independently. \nWe’re thrilled to co-present this program with these folks and to kick off the evening with a DJ set from video and installation artist Meriem Bennani. \nWe hope you’ll join us for a fun and festive night of film\, music and community. See you there! \nSpecial thanks to everyone at Mubi for support of this screening and for the restoration of the film.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nProgram \n[/vc_column_text][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””] \nCrossing the Bridge: The Sound of Istanbul by Fatih Akin\n[/vc_column_text][vc_column_text css=””]91 mins\, 2005[/vc_column_text][vc_column_text css=””]An exhilarating tour through the vibrant contemporary music scene in Istanbul\, a city where East meets West\, ancient meets modern\, and secular meets devout\, this film embraces everything from rapid-fire urban rap belted out in underground clubs to Romany circle dances. Director Fatih Akin\, a German native born to Turkish immigrants\, has found his ideal collaborator in Alexander Hacke\, a friend and bassist from industrial band Einstürzende Neubauten\, who becomes our tour guide. Whether interviewing Akin’s chosen musicians – psychedelic band Baba Zula\, Kurdish chanteuse Aynur\, the baglama virtuoso Orhan Gencebay – or roaming the streets\, Hacke radiates unquenchable enthusiasm. Together\, they also challenge conventional ideas of cultural identity; socially as much as musically\, Istanbul is shown to thrive on its contradictions.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””] \nProgram Duration: 91 mins \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”40px”][vc_single_image image=”147742″ img_size=”full”][vc_column_text] \nWatch the conversation between Presenter1\, Presenter2 and Presenter 3 on the UnionDocs’ Membership hub. \n[/vc_column_text][vc_btn title=”Watch” style=”outline-custom” outline_custom_color=”#ffffff” outline_custom_hover_background=”#adadcc” outline_custom_hover_text=”#0000cd” shape=”round” align=”center” css_animation=”bounceIn”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nBios \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”152945″ img_size=”full” css=””][/vc_column][vc_column width=”2/3″][vc_column_text css=””]Airtime Online is an experimental and alternative streaming space hosting newly produced or existing visual projects. The online platform aims to share inspiring works—one at a time—with a global audience\, carefully highlighting the world and storytelling built around each project. \nFounded in 2018 in New York\, the Airtime Screening Series is an interactive communal cinema experience that offers a screening format outside of traditional structures—an extension of Airtime Online that works to bridge communities online and off.  A public platform championing accessibility in art\, it is a space for filmmakers at different career levels and backgrounds to show work independently. \nWEBSITE: AIRTIME.WORLD\nINSTAGRAM. @airtime.world[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”152351″ img_size=”full” css=””][/vc_column][vc_column width=”2/3″][vc_column_text css=””]Meriem Bennani was born in 1988\, in Rabat\, Morocco and today lives and works in New York City\, New York. Bennani received her BFA from The Cooper Union in 2012 after receiving her MFA in Animation from the Ecole Nationale Supérieure des Arts Décoratifs in Paris\, France in 2011. Moving between the aesthetics of reality television\, documentary\, animation and more\, Bennani’s videos and installations embrace play and the absurd\, while contemplating the intricacies of human behavior.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image img_size=”full” css=””][/vc_column][vc_column width=”2/3″][vc_column_text css=””]Aslı Baykal is a Turkish visual artist and film curator. Her work is expressed through films and photographs\, ranging from documentaries to magical realism in fiction. Her short film\, Darkroom\, premiered at MoMA Doc Fortnight Selection in 2023\, and it has since been screened at festivals such as Visions du Reel\, Dokufest\, and Camden International Film Festival. It was also nominated for Best Short Doc by Doc Alliance at Dokufest. In 2018\, she founded the Airtime Screening Series\, which offers an interactive communal cinema experience. Later\, Airtime Online was launched as an experimental streaming platform that shares inspiring works with a global audience\, highlighting the unique world and storytelling of each project. Together\, these platforms bridge communities both online and offline.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nFrom the Event \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][vc_media_grid style=”pagination” items_per_page=”1″ element_width=”12″ arrows_design=”vc_arrow-icon-arrow_01_left” arrows_position=”outside” arrows_color=”white” loop=”yes” item=”136647″ grid_id=”vc_gid:1727272232628-f7d6b1d3-4dd7-0″ include=”147747\,147746\,147745″][vc_empty_space height=”30px”][/vc_column][/vc_row]
URL:https://uniondocs.org/event/2024-10-01-crossing-the-bridge-with-airtime/
LOCATION:UnionDocs\, 352 Onderdonk Avenue\, 352 Onderdonk Avenue\, Ridgewood\, NY\, 11385\, United States
CATEGORIES:Screenings & Events
ATTACH;FMTTYPE=image/gif:https://uniondocs.org/wp-content/uploads/2024/08/giphy-2.gif
GEO:40.7099952;-73.9507576
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=UnionDocs 352 Onderdonk Avenue 352 Onderdonk Avenue Ridgewood NY 11385 United States;X-APPLE-RADIUS=500;X-TITLE=352 Onderdonk Avenue:geo:-73.9507576,40.7099952
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241005T113000
DTEND;TZID=America/New_York:20241005T150000
DTSTAMP:20260416T211731
CREATED:20240822T145614Z
LAST-MODIFIED:20240924T130926Z
UID:10002890-1728127800-1728140400@uniondocs.org
SUMMARY:Artistic Differences — Minh Quy Truong
DESCRIPTION:[vc_row][vc_column width=”2/3″][vc_column_text css=””] \nEVENT TIMING\n[/vc_column_text][vc_column_text css=””] \n11 am — IRL Doors at UNDO\n11:30am —  Screening begins\n(in-person & online)\n1pm —  CineClub Conversation\n(in-person & online)\n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nLOCATIONS\n[/vc_column_text][vc_column_text css=””] \nIRL @ UnionDocs\n352 Onderdonk Ave\nRidgewood\, NY\n  \nONLINE – 11:30AM\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”20px”][vc_btn title=”Sign up” style=”outline-custom” outline_custom_color=”#61FF00″ outline_custom_hover_background=”#61FF00″ outline_custom_hover_text=”#000000″ shape=”round” align=”center” css_animation=”bounceIn” css=”” link=”url:https%3A%2F%2Fmembership.uniondocs.org%2Fprograms%2Flive-uxrpa-0jne4%3Fcategory_id%3D118802″][vc_separator][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”30px”][vc_video link=”https://vimeo.com/851422192″][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””] \nARTISTIC DIFFERENCES\, produced by UnionDocs and hosted by Cíntia Gil\, is an online cineclub\, hosted on the first Saturday of every month! Join in to add your voice to the cineclub conversations! All UnionDocs members can join in person in Ridgewood\, and if you’re tuning in from afar\, you can join our livestream or sign up for a link to stream on your own time. \nWe think of our gatherings as an open brain trust of folks from all around the world\, who gather regularly to thoughtfully consider challenging documentary works and generate brave questions and candid responses that fuel dialogue around the work of some of the most poetic and powerful filmmakers exploring the documentary form today. Join us to WATCH urgent and expressive films\, DISCUSS new contexts\, voices\, visions\, and ideas across many differences\, and LISTEN to open and honest conversations with the artists. \nThis October\, we’re delighted to spotlight the work of Minh Quy Truong! In his film The Tree House (2019)\, we find ourselves in the year 2045\, where a filmmaker on Mars tries to remember: What was home? As he speaks to his father millions of miles away in the Central Highlands of Vietnam\, the present becomes past and the past is excavated in the present moment. \nAfter our convening\, we produce a longform interview with the filmmaker in question as a podcast episode. We bring to them the many questions\, ideas and thoughts that emerge from our meeting with all of you. If this community-based generative format of dialogue and exchange piques your interest\, join the club today! \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nProgram \n[/vc_column_text][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””] \nThe Tree House by Trương Minh Quý\n[/vc_column_text][vc_column_text css=””]84 mins\, 2019[/vc_column_text][vc_column_text css=””]In the year 2045\, a filmmaker on Mars tries to remember: What was home? As he speaks to his father millions of miles away in the Central Highlands of Vietnam\, the present becomes past and the past is excavated in the present moment. Telling the stories of the Ruc and Kor people of Vietnam\, whose cave homes and tree houses were destroyed by American forces during the Vietnam War\, Quý probes questions of displacement and how space holds ancestral memory. Life on Mars is never captured on camera\, and we come to know the Highlands through 16mm documentary footage captured by Quý and cinematographer Son Doan\, alongside American military films captured during the war.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””] \nProgram Duration: 84 mins \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”40px”][vc_single_image image=”147742″ img_size=”full”][vc_column_text] \nWatch the conversation between Presenter1\, Presenter2 and Presenter 3 on the UnionDocs’ Membership hub. \n[/vc_column_text][vc_btn title=”Watch” style=”outline-custom” outline_custom_color=”#ffffff” outline_custom_hover_background=”#adadcc” outline_custom_hover_text=”#0000cd” shape=”round” align=”center” css_animation=”bounceIn”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nBios \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”152407″ img_size=”full” css=””][/vc_column][vc_column width=”2/3″][vc_column_text css=””]Minh Quy Truong was born in Buon Ma Thuot\, a small city in the Central Highlands of Vietnam. Quý lives and works here and there in the vibrancy of memories and present moments\, his narratives and images\, lying between documentary and fiction\, personal and impersonal\, draw on the landscape of his homeland\, childhood memories\, and the historical context of Vietnam. In his films\, he has experimented with combining abstract concepts-images with realistic improvisations during shooting. He is the alumnus of 2012 Asian Film Academy (Busan International Film Festival) and 2016 Berlinale Talents (Berlin International Film Festival). His films have been selected for international film festivals and exhibitions such as Locarno\, New York\, Clermont-Ferrand\, Oberhausen\, Rotterdam\, Busan\, Les Rencontres Internationales Paris&Berlin. He won the main Art Prize at the 20th VideoBrasil (Sao Paulo) in 2017. \nHis second feature film\, The Tree House\, premiered in 72nd Locarno Film Festival (Filmmakers of The Present Competition\, Swiss Critics Boccalino Award)\, where it was called among “Three of the festival’s best premieres” by Mubi and “a singular entrancing ode to memory and filmmaking” by The Film Stage. The film continued to screen in 57th New York Film Festival (Projections)\, Viennale\, Festival Des 3 Continents (Competition)\, Rotterdam International Film Festival (Bright Future Main Program)\, CPH:Dox (Artist &Auteur)\, Goteborg International Film Festival\, and others.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”149545″ img_size=”full” css=””][/vc_column][vc_column width=”2/3″][vc_column_text css=””]Born in Portugal\, Cíntia Gil studied at the Escola Superior de Teatro e Cinema (Lisbon Theatre and Film School) and holds a degree in Philosophy from the Faculdade de Letras da Universidade do Porto (Faculty of Arts and Humanities at the University of Porto)\, where she has also taught seminars on aesthetics. From 2012 to 2019\, Cíntia Gil served as co-director and then director of Doclisboa\, Portugal’s most important and steadily expanding documentary film festival\, where she launched the Ibero-American lab Arché. From 2019 to 2021 she has directed Sheffield DocFest.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nFrom the Event \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][vc_media_grid style=”pagination” items_per_page=”1″ element_width=”12″ arrows_design=”vc_arrow-icon-arrow_01_left” arrows_position=”outside” arrows_color=”white” loop=”yes” item=”136647″ grid_id=”vc_gid:1724959305846-25c3bbf2-a327-9″ include=”147747\,147746\,147745″][vc_empty_space height=”30px”][/vc_column][/vc_row]
URL:https://uniondocs.org/event/2024-10-05-artistic-differences-truong-minh-quy/
LOCATION:UnionDocs\, 352 Onderdonk Avenue\, 352 Onderdonk Avenue\, Ridgewood\, NY\, 11385\, United States
CATEGORIES:Artistic Differences,Screenings & Events
ATTACH;FMTTYPE=image/gif:https://uniondocs.org/wp-content/uploads/2024/08/giphy-copy.gif
GEO:40.7099952;-73.9507576
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=UnionDocs 352 Onderdonk Avenue 352 Onderdonk Avenue Ridgewood NY 11385 United States;X-APPLE-RADIUS=500;X-TITLE=352 Onderdonk Avenue:geo:-73.9507576,40.7099952
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241006T193000
DTEND;TZID=America/New_York:20241006T193000
DTSTAMP:20260416T211731
CREATED:20240823T130355Z
LAST-MODIFIED:20240927T172059Z
UID:10002898-1728243000-1728243000@uniondocs.org
SUMMARY:Geographies of Belonging: Memories of a Global Left
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text]Doors 7:30p\nProgram 8:00p[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_column_text]UnionDocs\n352 Onderdonk Ave\nRidgewood\, NY[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”30px”][vc_video link=”https://vimeo.com/851422192″][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””]As history is mythologized to reinforce national imaginaries\, what becomes the role of memory\, of lived and imagined experience\, in transforming and disrupting master narratives? \nUnionDocs is delighted to present GEOGRAPHIES OF BELONGING\, a series of film screenings and conversations curated with Senjuti Mukherjee\, PhD student at the University of Pittsburgh. In MEMORIES OF A GLOBAL LEFT\, the second program in this series\, we’re delighted to welcome scholar-filmmaker Naeem Mohaiemen to screen and discuss Afsan’s Long Day (The Young Man Was\, Part II). \nPosturing as exceptions\, scandalous emergencies light up our phone screens\, when in fact the twenty-first century has been marked by a world caught in a permanent state of crisis. The last few decades have witnessed mass protests against global democratic erosion\, generating a constant flow of amateur videos\, photographs and sounds produced by citizens living in multi-screen ecosystems. As fatigue and forgetting are mobilized for diplomatic strategy\, we turn to sites of counter-memory and forgotten histories to unsettle mainstream narratives of history\, social memory and community. \nAfsan’s Long Day (The Young Man Was\, Part II)\, is one of four parts of Mohaiemen’s The Young Man Was project\, which reflects on the failures of radical\, armed leftist movements of the 1970s. The film is inspired by Bangladeshi historian Afsan Chowdhury’s diary entries\, which contained the phrase alluded to in the film’s title: “the young man was… no longer a terrorist.” Weaving together Afsan’s diaristic accounts with photographs\, footage\, and voice-over\, Mohaiemen evokes forgotten histories of the transnational circulation of Left ideologies in the 1970s and examines their eventual failure. \nWe’re looking forward to a conversation with Naeem Mohaiemen following the screening and hope to see you there! \nSpecial thanks to the Kenneth P. Dietrich School of Arts and Sciences and The Andrew W. Mellon Foundation for coming on board as contributing partners for this series![/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nProgram \n[/vc_column_text][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””] \nAfsan’s Long Day (The Young Man Was\, Part II)\n[/vc_column_text][vc_column_text css=””]40 mins\, 2014[/vc_column_text][vc_column_text css=””]Afsan’s Long Day is the second work in The Young Man Was series (made between 2011 and 2017)\, the entirety of which probes the lives of the “flailing and failing masculinity project” that blindsided the chief actors in revolutionary struggles in the 1970s. These figures are\, according to a prevailing western-centric history\, supporting actors: in Afsan’s Long Day\, the two predominant figures are Afsan Chowdhury\, a “freelance Marxist” (by his own sardonic description) Bangladeshi historian active in the 1970s; and Joschka Fischer\, the German former left-wing militant who ‘defected to electoral politics’ in 1983. Through a montage of wide-ranging archival footage\, voiceover and still photography\, Mohaiemen’s subjects raise questions of the failures of revolutionary politics in the 1970s. By examining the ways in which “blindspot machismo” played into the failures of the left in this period\, Afsan’s Long Day draws attention to still-pervasive gender constructions that continue to shape political power globally.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””] \nProgram Duration: 40 mins \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”40px”][vc_single_image image=”147742″ img_size=”full”][vc_column_text] \nWatch the conversation between Presenter1\, Presenter2 and Presenter 3 on the UnionDocs’ Membership hub. \n[/vc_column_text][vc_btn title=”Watch” style=”outline-custom” outline_custom_color=”#ffffff” outline_custom_hover_background=”#adadcc” outline_custom_hover_text=”#0000cd” shape=”round” align=”center” css_animation=”bounceIn”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nBios \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”152671″ img_size=”full” css=””][/vc_column][vc_column width=”2/3″][vc_column_text css=””]Naeem Mohaiemen makes films about lonely families\, unstable borders\, empty architecture\, and revolutionary uprisings in the decolonizing Muslim world after 1945. Conversations in contemporary museums around “nonalignment” as a concept container were inspired by the premiere of Mohaiemen’s film Two Meetings and a Funeral (2017) at documenta 14\, which was a finalist for Britain’s Turner Prize. Art critic Murtaza Vali points to Dustin Hoffman in Marathon Man (1976) as “a hapless history student studying for a Ph.D.\, an erstwhile stand-in for Mohaiemen.” \nArt Review magazine’s annual “Power 100\,” a list of 100 most influential art practitioners\, included him at #81 in the 2023 rankings.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”152672″ img_size=”full” css=””][/vc_column][vc_column width=”2/3″][vc_column_text css=””]Senjuti Mukherjee is a PhD student of Film and Media Studies at the University of Pittsburgh working on new media environments\, dissident citizenship\, video activism and the transforming art and politics of twenty-first-century documentary. She did a Master’s in Art History from Jawaharlal Nehru University\, New Delhi and a Bachelor’s in Comparative Literature from Jadavpur University\, Kolkata. She has worked as an archivist\, editor and curator in India for over a decade. During this time\, she led archival projects in film publicity memorabilia\, film and photography at Osian’s\, Eka and Delhi Art Gallery. In recent years\, she has commissioned and edited publications\, including long-form research on visual and performance arts for the Serendipity Arts Foundation and multi-media research on South Asian film\, video and photography for Alternative South Asia Photography.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nFrom the Event \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][vc_media_grid style=”pagination” items_per_page=”1″ element_width=”12″ arrows_design=”vc_arrow-icon-arrow_01_left” arrows_position=”outside” arrows_color=”white” loop=”yes” item=”136647″ grid_id=”vc_gid:1727457632317-ba16bfcc-b956-8″ include=”147747\,147746\,147745″][vc_empty_space height=”30px”][/vc_column][/vc_row]
URL:https://uniondocs.org/event/2024-10-06-geographies-of-belonging-memories-of-a-global-left/
LOCATION:UnionDocs\, 352 Onderdonk Avenue\, 352 Onderdonk Avenue\, Ridgewood\, NY\, 11385\, United States
CATEGORIES:Screenings & Events
ATTACH;FMTTYPE=image/png:https://uniondocs.org/wp-content/uploads/2024/08/Afsans-Long-Day2024-08-27-at-11.03.05-AM.png
GEO:40.7099952;-73.9507576
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=UnionDocs 352 Onderdonk Avenue 352 Onderdonk Avenue Ridgewood NY 11385 United States;X-APPLE-RADIUS=500;X-TITLE=352 Onderdonk Avenue:geo:-73.9507576,40.7099952
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241008T193000
DTEND;TZID=America/New_York:20241008T193000
DTSTAMP:20260416T211731
CREATED:20240824T070533Z
LAST-MODIFIED:20240930T191420Z
UID:10002897-1728415800-1728415800@uniondocs.org
SUMMARY:TikTok\, Deepfakes\, CNN: Shaping Public Opinion in the 2024 Presidential Race
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text]Doors 7:30p\nProgram 8:00p[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_column_text]UnionDocs\n352 Onderdonk Ave\nRidgewood\, NY[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”30px”][vc_video link=”https://vimeo.com/851422192″][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””]In the lead up to the 2024 presidential election and looking back on high-profile races of the past several years\, it’s striking to consider how both legacy forms of media and emerging tech are being harnessed to shape voting outcomes. From the seismic impact of the CNN debate to the movement power of TikTok\, and both the real and imagined influence of AI\, old and new media forms continue to prove consequential this election cycle. \nWhile it has long been typical of candidates to wield contemporary media to their advantage\, this presidential race has seen nonfiction media forms take on major importance as a means of ideological signaling. Between the spectacular staging of the National Conventions\, the Harris campaign’s understanding of TikTok and meme culture\, and accusations about AI-generated crowds and malicious deepfakes\, emerging tech is transforming the conscience of our electorate. \nWith this tumultuous reality in mind\, we ask: what are the critical forms of media this election cycle? How do they influence our understanding of the candidates and\, importantly\, the candidates’ ability to communicate with and mobilize viewers? \nThis event brings together three disparate voices to help explore the critical place of emerging tech in the 2024 presidential election\, as well as its resonances with elections happening around the world. We’ll also reflect on the ways that past electoral uses of “new media” might help us understand this race. \nThe three panelists — Professor Joshua Glick of Bard College\, Sam Cole of 404 Media\, and writer Chloe Lizotte of MUBI — will each offer a different perspective on how media is shaping and being shaped by this current presidential race. We’ll move beyond the hype and headlines to create some common understanding of the major media forms in play\, provide a sense of their history\, and collectively speculate as to what might be coming down the road as we head into November. \nCome with burning questions\, crackpot theories\, and sober concerns — we’re excited to hash it out![/vc_column_text][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”40px”][vc_single_image image=”147742″ img_size=”full”][vc_column_text] \nWatch the conversation between Presenter1\, Presenter2 and Presenter 3 on the UnionDocs’ Membership hub. \n[/vc_column_text][vc_btn title=”Watch” style=”outline-custom” outline_custom_color=”#ffffff” outline_custom_hover_background=”#adadcc” outline_custom_hover_text=”#0000cd” shape=”round” align=”center” css_animation=”bounceIn”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nBios \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”152597″ img_size=”full” css=””][/vc_column][vc_column width=”2/3″][vc_column_text css=””]Samantha Cole is a technology journalist based in NYC who has worked in journalism for more than ten years. Her writing centers on sexuality\, the adult industry\, online culture\, and AI. She’s the author of How Sex Changed the Internet and the Internet Changed Sex and a former senior editor at Motherboard\, Vice’s tech outline. Her work appears in Popular Science\, Fast Company\, Al Jazeera\, and elsewhere. She is co-founder of 404 Media.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”152596″ img_size=”full” css=””][/vc_column][vc_column width=”2/3″][vc_column_text css=””]Joshua Glick teaches film and media at Bard College. He is the author of Los Angeles Documentary and the Production of Public History (University of California Press 2018) and co-curated the exhibition at the Museum of the Moving Image: Deepfake Unstable Evidence on Screen. He is currently working on a new book project that explores the rising investment in documentary from both the left and right of the political spectrum.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”153143″ img_size=”full” css=””][/vc_column][vc_column width=”2/3″][vc_column_text css=””]Chloe Lizotte is a Brooklyn-based writer and editor specializing in moving-image topics. She is the deputy editor of MUBI’s online publication Notebook and writes the “Event Horizon” column for Reverse Shot. She is also a co-organizer of the Locarno Critics Academy\, a summer workshop for emerging film critics. Previously\, she was a contributing editor at Le Cinéma Club.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nFrom the Event \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][vc_media_grid style=”pagination” items_per_page=”1″ element_width=”12″ arrows_design=”vc_arrow-icon-arrow_01_left” arrows_position=”outside” arrows_color=”white” loop=”yes” item=”136647″ grid_id=”vc_gid:1727723589922-d0fe8685-8fbe-2″ include=”147747\,147746\,147745″][vc_empty_space height=”30px”][/vc_column][/vc_row]
URL:https://uniondocs.org/event/shaping-public-2024-presidential-race/
LOCATION:NY
CATEGORIES:Screenings & Events
ATTACH;FMTTYPE=image/png:https://uniondocs.org/wp-content/uploads/2024/08/Small-Josh-Glick-2024-08-27-at-5.05.33-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241010T193000
DTEND;TZID=America/New_York:20241010T193000
DTSTAMP:20260416T211731
CREATED:20240824T190700Z
LAST-MODIFIED:20241010T142557Z
UID:10002900-1728588600-1728588600@uniondocs.org
SUMMARY:Geographies of Belonging: No Place Like Home
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text]Doors 7:30p\nProgram 8:00p[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_column_text]UnionDocs\n352 Onderdonk Ave\nRidgewood\, NY[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_video link=”https://www.youtube.com/watch?v=OLlmKPT6qas” css=””][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””]As history is mythologized to reinforce national imaginaries\, what becomes the role of memory\, of lived and imagined experience\, in transforming and disrupting master narratives? \nUnionDocs is delighted to present GEOGRAPHIES OF BELONGING\, a series of film screenings and conversations curated with Senjuti Mukherjee\, PhD student at the University of Pittsburgh. In NO PLACE LIKE HOME\, the second program in this series\, we’re delighted to welcome Shaina Anand\, co-founder of CAMP\, to screen and discuss Al Jaar Qabla Al Daar (The Neighbour Before the House\,2009-2011). \nPosturing as exceptions\, scandalous emergencies light up our phone screens\, when in fact the twenty-first century has been marked by a world caught in a permanent state of crisis. The last few decades have witnessed mass protests against global democratic erosion\, generating a constant flow of amateur videos\, photographs and sounds produced by citizens living in multi-screen ecosystems. As fatigue and forgetting are mobilized for diplomatic strategy\, we turn to sites of counter-memory and forgotten histories to unsettle mainstream narratives of history\, social memory and community. \nIn CAMP’s Al Jaar Qabla Al Daar (The Neighbour Before the House\, 2009-2011)\, eight Palestinian families film via a pan-tilt-zoom CCTV camera mounted onto the roofs of their houses observing life and activities in their neighbourhoods of Jerusalem — in the old city\, in the East Jerusalem neighbourhoods of Sheikh Jarrah and Silwan\, and Greater Jerusalem boroughs like Bethany. Their voices and the images keep finding each other. Memories\, desires and relationships with places shape how the camera moves. The images recorded are full of jest\, humour\, rage\, desire\, curiosity\, and details. At once personal and political\, this becomes an archiving of an occupied landscape and its effects near and far. \nThis interplay between location and experience\, this understanding of geography through historical memory records the persistence of the occupation in the everyday and not as eruptions. Palestinian lives have been rendered through a visual framing of destruction and victimhood. Moving away from this\, the film shows the possibilities of portraiture and chronicling histories from new visual positions. \nWe’re looking forward to a conversation with Shaina Anand following the screening and hope to see you there! \nSpecial thanks to the Kenneth P. Dietrich School of Arts and Sciences and The Andrew W. Mellon Foundation for coming on board as contributing partners for this series![/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nProgram \n[/vc_column_text][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””] \nAl Jaar Qabla Al Daar\n[/vc_column_text][vc_column_text css=””]CAMP (Shaina Anand and Ashok Sukumaran\, with Nida Ghouse\, Shereen Barakat\, Mahmoud Jiddah and Mahasen Nasser Eldin) \n60 mins\, 2009-2011[/vc_column_text][vc_column_text css=””]CCTV video with sync sound[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””] \nProgram Duration: 60 mins \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”40px”][vc_single_image image=”147742″ img_size=”full”][vc_column_text] \nWatch the conversation between Presenter1\, Presenter2 and Presenter 3 on the UnionDocs’ Membership hub. \n[/vc_column_text][vc_btn title=”Watch” style=”outline-custom” outline_custom_color=”#ffffff” outline_custom_hover_background=”#adadcc” outline_custom_hover_text=”#0000cd” shape=”round” align=”center” css_animation=”bounceIn”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nBios \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”152692″ img_size=”full” css=””][/vc_column][vc_column width=”2/3″][vc_column_text css=””]CAMP (founded by Shaina Anand and Ashok Sukumaran in 2007) is a Mumbai-based studio of people who are artists\, architects\, filmmakers\, and technologists. They host long-running video archives Pad.ma and Indiancine.ma\, a rooftop cinema for the past 15 years\, and make art that is possessed of an infrastructural imagination. \nThey have been producing work in film and video\, electronic media\, and public art forms\, in a practice characterised by a hand-dirtying\, non-alienated relation to technology. CAMP’s projects have engaged with complex social and technical assemblies: Energy\, communication\, transport and surveillance systems\, ports\, ships\, archives\, housing projects – things much larger than themselves. These are shown as unstable\, leaky and contestable\, in the sense of ultimately not having a fixed function or destiny\, making them both a medium and stage for artistic activity.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”152672″ img_size=”full” css=””][/vc_column][vc_column width=”2/3″][vc_column_text css=””]Senjuti Mukherjee is a PhD student of Film and Media Studies at the University of Pittsburgh working on new media environments\, dissident citizenship\, video activism and the transforming art and politics of twenty-first-century documentary. She did a Master’s in Art History from Jawaharlal Nehru University\, New Delhi and a Bachelor’s in Comparative Literature from Jadavpur University\, Kolkata. She has worked as an archivist\, editor and curator in India for over a decade. During this time\, she led archival projects in film publicity memorabilia\, film and photography at Osian’s\, Eka and Delhi Art Gallery. In recent years\, she has commissioned and edited publications\, including long-form research on visual and performance arts for the Serendipity Arts Foundation and multi-media research on South Asian film\, video and photography for Alternative South Asia Photography.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nFrom the Event \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][vc_media_grid style=”pagination” items_per_page=”1″ element_width=”12″ arrows_design=”vc_arrow-icon-arrow_01_left” arrows_position=”outside” arrows_color=”white” loop=”yes” item=”136647″ grid_id=”vc_gid:1728570132127-1bd0cf44-72e7-2″ include=”147747\,147746\,147745″][vc_empty_space height=”30px”][/vc_column][/vc_row]
URL:https://uniondocs.org/event/2024-10-10-geographies-of-belonging-no-place-like-home/
LOCATION:UnionDocs\, 352 Onderdonk Avenue\, 352 Onderdonk Avenue\, Ridgewood\, NY\, 11385\, United States
CATEGORIES:Screenings & Events
ATTACH;FMTTYPE=image/gif:https://uniondocs.org/wp-content/uploads/2024/08/giphy-3.gif
GEO:40.7099952;-73.9507576
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=UnionDocs 352 Onderdonk Avenue 352 Onderdonk Avenue Ridgewood NY 11385 United States;X-APPLE-RADIUS=500;X-TITLE=352 Onderdonk Avenue:geo:-73.9507576,40.7099952
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241013T190000
DTEND;TZID=America/New_York:20241013T190000
DTSTAMP:20260416T211731
CREATED:20240824T191500Z
LAST-MODIFIED:20241011T190949Z
UID:10002906-1728846000-1728846000@uniondocs.org
SUMMARY:Ta’ang 德昂
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=””]Doors 7:00p\nProgram 7:30p[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_column_text]UnionDocs\n352 Onderdonk Ave\nRidgewood\, NY[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_video link=”https://www.youtube.com/watch?v=-vCYrSJdJqE” css=””][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””]UnionDocs is delighted to come together with Nooks & Crannies 犄角旮旯 to present a special evening cinema and conversation with the incredible Wang Bing 王兵! \nOver the course of the last fifteen years\, Wang Bing (b. 1967) has established himself as one of the few truly vital\, original\, and urgent voices in contemporary documentary cinema\, unparalleled in both his native China and elsewhere in the world. \n“… The films of Wang Bing categorically refuse the folksy and saccharine ‘character-driven stories’ and bumper-sticker sloganism that stoke the engorged market for easily streamable and digestible nonfiction cinema in today’s so-called Golden Age of Documentary. ”  – Haden Guest\,  Director of the Harvard Film Archive \nWang Bing‘s portrayal of the refugee experience serves as a poignant reminder of the global crises affecting millions today. As conflicts rage in various regions around the world\, the struggles of the Ta’ang community reflect the broader human experience of displacement\, highlighting the urgent need for empathy and understanding. This documentary not only sheds light on the specific hardships faced by the Ta’ang but also underscores the shared vulnerabilities and resilience of refugees everywhere\, urging viewers to confront the realities of forced migration in our interconnected world. \nWe’re excited to welcome filmmaker Ziru Wang 王子儒 to guide us in conversation with Wang Bing following the screening. Don’t miss the opportunity to speak with Bing about his astonishing oeuvre\, come through![/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nProgram \n[/vc_column_text][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””] \nTa’ang by Wang Bing\n[/vc_column_text][vc_column_text css=””]147 mins\, 2017\, Burmese; Mandarin; English / English subtitles\, Color\, Copyright: 2016[/vc_column_text][vc_column_text css=””]In Ta’ang\, director Wang Bing 王兵 brings his careful eye to the mountainous border-region of northeastern Myanmar\, a powerful and revealing observational documentary that follows members of the Ta’ang community as they flee to China to escape an ongoing and escalating civil war. In a pair of refugee camps\, those displaced by the war attempt to create reasonably safe living conditions\, while others go deeper into China where they may find work in sugarcane fields or try their luck in urban areas. Meanwhile\, those still in Myanmar must journey across the mountains\, belongings and livestock in tow\, as the sounds of gunfire and artillery echo around them. Ta’ang captures the constant insecurity\, instability and disorientation that comes with life as a refugee\, the complexities of the choices the Ta’ang face\, and the emotional toll these choices take.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””] \nProgram Duration: 147 mins \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”40px”][vc_single_image image=”147742″ img_size=”full”][vc_column_text] \nWatch the conversation between Presenter1\, Presenter2 and Presenter 3 on the UnionDocs’ Membership hub. \n[/vc_column_text][vc_btn title=”Watch” style=”outline-custom” outline_custom_color=”#ffffff” outline_custom_hover_background=”#adadcc” outline_custom_hover_text=”#0000cd” shape=”round” align=”center” css_animation=”bounceIn”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nBios \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”153141″ img_size=”full” css=””][/vc_column][vc_column width=”2/3″][vc_column_text css=””]Wang Bing was born in Xi’an\, Shaanxi Province\, in 1967. In 2002 he made West of the Tracks\, a nine-hour documentary about the decline of a vast industrial zone in North-East China\, screening a five-hour version at the Berlinale in 2003 and then in parts at the Rotterdam Film Festival. Since then\, he has continued to work in the same mode\, outside the system\, always on highly challenging topics. In 2014\, he held a major show at the Pompidou Centre in Paris\, to great public and critical acclaim. In 2017\, he was awarded the Golden Leopard at the Locarno Film Festival for Mrs. Fang\, and in 2018\, Dead Souls was selected for the out-of-competition segment of the Cannes Film Festival. In 2021\, Le Bal in Paris mounted an exhibition entitled The Walking Eye\, and the French Cinematheque presented a retrospective of his films. In 2023\, Wang Bing’s Man in Black\, a tribute to classical composer Wang Xilin\, and Youth (Spring) premiered at Cannes\, followed by a US Premiere at the 61st New York Film Festival and the Toronto International Film Festival. That same year\, Wang Bing received the Douglas Edwards Experimental Film Award for Youth (Spring) from the Los Angeles Film Critics Association. In 2024\, Wang Bing’s documentaries Youth (Hard Times) and Youth (Homecoming) premiere at the Locarno Film Festival and the Venice Film Festival\, followed by a US premiere at the 62nd New York Film Festival\, concluding the Youth trilogy.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”153153″ img_size=”full” css=””][/vc_column][vc_column width=”2/3″][vc_column_text css=””]Ziru Wang王子儒 is a female documentary director\, a cinematographer and a theater worker and a non-fiction writer. She graduated from New York University in 2023\, before which she gained her BA in Beijing Normal University studying films and theater. She is now working as an editor for independent filmmaker Alan Berliner. Ziru has been sensitive to current issues\, but she always tends to present them in her uniquely gentle way through her accurate visuals. Her first documentary was selected by New York City Independent Film Festival\, her short film Haunting Memory was premiered at Franklin D. Roosevelt Presidential Library and Museum\, her non-fictions works are available on iFeng and Tencent.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nFrom the Event \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][vc_media_grid style=”pagination” items_per_page=”1″ element_width=”12″ arrows_design=”vc_arrow-icon-arrow_01_left” arrows_position=”outside” arrows_color=”white” loop=”yes” item=”136647″ grid_id=”vc_gid:1728570190531-a3eea38a-3983-9″ include=”147747\,147746\,147745″][vc_empty_space height=”30px”][/vc_column][/vc_row]
URL:https://uniondocs.org/event/taang-a-conversation-with-wang-bing-2024-10-13/
LOCATION:UnionDocs\, 352 Onderdonk Avenue\, 352 Onderdonk Avenue\, Ridgewood\, NY\, 11385\, United States
CATEGORIES:Screenings & Events
ATTACH;FMTTYPE=image/gif:https://uniondocs.org/wp-content/uploads/2024/09/Taang_FEATURED-IMAGE.gif
GEO:40.7099952;-73.9507576
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=UnionDocs 352 Onderdonk Avenue 352 Onderdonk Avenue Ridgewood NY 11385 United States;X-APPLE-RADIUS=500;X-TITLE=352 Onderdonk Avenue:geo:-73.9507576,40.7099952
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241027T193000
DTEND;TZID=America/New_York:20241028T000000
DTSTAMP:20260416T211731
CREATED:20240825T145525Z
LAST-MODIFIED:20241018T110848Z
UID:10002907-1730057400-1730073600@uniondocs.org
SUMMARY:The Last Year of Darkness\, Beats & Bodies: A Celebration of Queer Nightlife and Heritage in China
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text]Doors 7:30p\nProgram 8:00p[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_column_text]UnionDocs\n352 Onderdonk Ave\nRidgewood\, NY[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”30px”][vc_video link=”https://vimeo.com/851422192″][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””]Join us for a vibrant evening celebrating LGBTQ artistry with a screening of “The Last Year of Darkness\,” directed by Ben Mullinkosson. This immersive documentary (95 min) captures the pulsating nightlife of Chengdu\, China\, showcasing the euphoric beats of electronic music and the stories of the city’s charismatic nonconformists. It’s a love letter to a legendary club that serves as a queer haven amid the city’s transformation. \nFollowing the film\, experience “Ancestor Now” by Kennie Zhou\, a powerful performance series that highlights the body as an archive of queer history. In this iteration\, the performer will embody Yihao\, a pioneering figure featured in the documentary\, who has been vital in creating safe spaces for the Chinese queer community. This performance aims to honor and preserve the spirit of iconic queer individuals across different eras. \nBe sure to come down![/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nProgram \n[/vc_column_text][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””] \nThe Last Year of Darkness by Ben Mullinkosson\n[/vc_column_text][vc_column_text css=””]95 mins\, 2023\, China\, USA[/vc_column_text][vc_column_text css=””]Attuned to the energy of nightlife in the Sichuan capital\, Benjamin Mullinkosson’s immersive documentary pulsates to the euphoric beats of electronic music. A love letter to the city’s charismatic nonconformists and the fabled club that provides a queer haven amid an ever-changing urban landscape.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””] \nAncestor Now by Kennie Zhou\n[/vc_column_text][vc_column_text css=””]Duration Varies[/vc_column_text][vc_column_text css=””]Ancestor Now is a performance series that centers around the idea that the body is an archive. Queer history is one subject that is typically hard to find documentation for. This project aims to preserve iconic queer folks in different time periods through performances\, aiming to embody and thereby preserve their character and spirit. For this iteration\, the performer will embody pioneer performer Yihao (who appeared in The Last Year of Darkness) who has created many spaces for Chinese queer folks.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”40px”][vc_single_image image=”147742″ img_size=”full”][vc_column_text] \nWatch the conversation between Presenter1\, Presenter2 and Presenter 3 on the UnionDocs’ Membership hub. \n[/vc_column_text][vc_btn title=”Watch” style=”outline-custom” outline_custom_color=”#ffffff” outline_custom_hover_background=”#adadcc” outline_custom_hover_text=”#0000cd” shape=”round” align=”center” css_animation=”bounceIn”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nBios \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”153284″ img_size=”full” css=””][/vc_column][vc_column width=”2/3″][vc_column_text css=””]The Last Year of Darkness is Ben Mullinkosson’s second feature-length documentary and 6th year coming back to Chengdu. He speaks Chinese. His first feature DON’T BE A DICK ABOUT IT won the 2018 Audience Award at IDFA and is being distributed by Oscilloscope. He now works directing commercials and music videos. His works include the Cannes Silver Lion Advertising Award\, Vimeo Staff Picks\, and NYT Op-Docs\, and some of his films have millions of views. His previous short films have gotten into 50+ festivals around the world including Tribeca (GNARLY IN PINK) and Slamdance (WHAT I HATE ABOUT MYSELF).[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”153285″ img_size=”full” css=””][/vc_column][vc_column width=”2/3″][vc_column_text css=””]Kennie Zhou is a New York-based performance artist by night and film producer and director by day. Guided by an intuitive sense of ethereal imageries and non-linear narratives\, Kennie’s work is anchored in East Asian performance traditions and queer theories. From iconic venues like The Judson and UCCA to underground venues like Oil\, All\, and Trans Pecos\, Kennie’s performances have been discussed by the New York Times\, CNBC\, and A Journal of Performance. Kennie’s film projects have been showcased at BFI Flare\, E-Flux\, Outfest\, and Newfest\, and they have produced work for clients such as Apple\, Vogue\, iQiyi\, Reelshort\, and Warner Music.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nFrom the Event \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][vc_media_grid style=”pagination” items_per_page=”1″ element_width=”12″ arrows_design=”vc_arrow-icon-arrow_01_left” arrows_position=”outside” arrows_color=”white” loop=”yes” item=”136647″ grid_id=”vc_gid:1729249656115-fb7a82d9-9e82-7″ include=”147747\,147746\,147745″][vc_empty_space height=”30px”][/vc_column][/vc_row]
URL:https://uniondocs.org/event/2024-10-27-the-last-year-of-darkness-beats-bodies/
LOCATION:UnionDocs\, 352 Onderdonk Avenue\, 352 Onderdonk Avenue\, Ridgewood\, NY\, 11385\, United States
CATEGORIES:Screenings & Events
ATTACH;FMTTYPE=image/gif:https://uniondocs.org/wp-content/uploads/2024/10/Untitled-1.gif
GEO:40.7099952;-73.9507576
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=UnionDocs 352 Onderdonk Avenue 352 Onderdonk Avenue Ridgewood NY 11385 United States;X-APPLE-RADIUS=500;X-TITLE=352 Onderdonk Avenue:geo:-73.9507576,40.7099952
END:VEVENT
END:VCALENDAR