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DTSTART;TZID=America/New_York:20240127T193000
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DTSTAMP:20260509T014248
CREATED:20240103T175821Z
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SUMMARY:Rampart at Anthology Film Archives
DESCRIPTION:[vc_row][vc_column][vc_empty_space height=”40px”][vc_btn title=”GET TICKETS!” style=”outline-custom” outline_custom_color=”#ffffff” outline_custom_hover_background=”#0000cd” outline_custom_hover_text=”#ffffff” shape=”round” align=”center” link=”url:http%3A%2F%2Fanthologyfilmarchives.org%2Ffilm_screenings%2Fcalendar%3Fview%3Dlist%26month%3D01%26year%3D2024%23showing-57103|title:GET%20TICKETS!|target:_blank”][vc_empty_space height=”40px”][vc_column_text]UnionDocs is delighted to come together with Anthology Film Archives to co-present Marko Grba Singh’s first documentary feature\, Rampart! \nMarko Grba Singh’s films are improbable explorations\, with a particular interest in the multiple oniric lines of flight that an image may reveal. Every element is the beginning of a possible mapping of a world existing in between materiality and dream\, history and tale\, presence and strangeness. The play is limitless\, and a hypnotizing tenderness crosses every shot — a serene curiosity towards everything. \nRampart recollects the ghosts and memories of his empty childhood apartment in Belgrade. The family VHS archive from 1998-99 is revisited and re-signified\, bringing to the present a family life unfolding\, marked by traumatic historic events and by their bonds and desires. Dreams are probably the most definite residues of childhood\, and the quiet movement for the film. \nMarko will be in attendance for a conversation following the screening. Come through![/vc_column_text][vc_empty_space height=”40px”][vc_separator color=”white”][vc_column_text] \nFILM PROGRAM \n[/vc_column_text][vc_separator color=”white”][vc_custom_heading text=”Rampart by Marko Grba Singh” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][vc_custom_heading text=”62 mins\, 2021\, Digital” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”40px”][vc_separator color=”white”][vc_column_text] \nBIOS \n[/vc_column_text][vc_separator color=”white”][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”149275″][/vc_column][vc_column width=”2/3″][vc_column_text]Marko Grba Singh was born in 1988 in Belgrade. He is currently on PhD studies in Film Directing at the Faculty of Dramatic Arts in Belgrade. His first mid length film “Abdul & Hamza“ (2015) got a Special Mention at FIDMarseille. His short film “Stars of Gaomeigu” (2017) won the Most Innovative Short Film Award at Visions du Reel. He attended the 2017 Cannes Film Festival with a short film “If I Had It My Way I Would Never Leave” in the ACID section. Since 2018 he serves as the Artistic Director of BELDOCS\, Belgrade International Documentary Film Festival. He is one of the programmers of Zagreb HR Film Festival. His first feature film “Rampart” (2021) premiered at Locarno Film Festival.[/vc_column_text][/vc_column][/vc_row]
URL:https://uniondocs.org/event/rampart-at-anthology-film-archives/
LOCATION:Anthology Film Archives\, 32 2nd Avenue\, New York\, NY\, 10003\, United States
CATEGORIES:Screenings & Events
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DTSTART;TZID=America/New_York:20191104T190000
DTEND;TZID=America/New_York:20191104T220000
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CREATED:20190926T065323Z
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UID:10002455-1572894000-1572904800@uniondocs.org
SUMMARY:Flaherty NYC: Prisoner's Cinema
DESCRIPTION:[vc_row][vc_column][vc_empty_space height=”40px”][vc_separator color=”custom” accent_color=”#ffffff”][vc_empty_space height=”40px”][vc_column_text]**This event takes place at Anthology Film Archives (32 Second Avenue New York\, NY 10003)\, not at UnionDocs. ** \nThis night of short films from Germany\, Iran\, Australia\, and the U.S.\, advances the allegory of Plato’s Cave into contemporary geopolitics\, to focus on all that is not clearly visible\, including those who are denied access to public space. Manipulating the images with text\, animation\, and hand-processing techniques\, the filmmakers reenact and exorcise situations of confusion\, exclusion\, and trauma. In this play of light and shadow\, the works suggest that in the camera\, as in life\, all is not as it may appear. While artifice often becomes accepted reality\, it is often by inquiring into this very metamorphosis that one may reflect on the nature of truth\, transgression\, and freedom. \nFor ticketing information visit: http://anthologyfilmarchives.org/film_screenings/buy-tickets\n[/vc_column_text][vc_empty_space height=”40px”][vc_text_separator title=”Program” color=”white” el_class=”h1″][vc_custom_heading text=”TAKE OFF” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][vc_custom_heading text=”1972\, 10 min\, 16mm\nGunvor Nelson” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_column_text][/vc_column_text][vc_empty_space height=”40px”][vc_custom_heading text=”LUNA E SANTOR” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][vc_custom_heading text=”2016\, 10 min\, 16mm-to-35mm\nJoshua Gen Solondz” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_column_text][/vc_column_text][vc_empty_space height=”40px”][vc_custom_heading text=”ABSENT WOUND” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][vc_custom_heading text=”2018\, 10 min\, digital\nMaryam Tafakory” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_column_text][/vc_column_text][vc_empty_space height=”40px”][vc_custom_heading text=”I HAVE SINNED A RAPTUROUS SIN” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][vc_custom_heading text=”2018\, 8 min\, digital\nMaryam Tafakory” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_column_text][/vc_column_text][vc_empty_space height=”40px”][vc_custom_heading text=”SILICA” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][vc_custom_heading text=”2016\, 23 min\, digital\nPia Borg” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_column_text][/vc_column_text][vc_empty_space height=”40px”][vc_empty_space height=”40px”][vc_text_separator title=”ca. 65 min” color=”white” el_class=”h1″][vc_empty_space height=”40px”][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”125140″ img_size=”full”][/vc_column][vc_column width=”2/3″][vc_column_text]Joshua Gen Solondz is an artist working in moving image\, sound\, and performance. He’s screened in a variety of festivals including Images\, Toronto International Film Festival\, International Film Festival Rotterdam\, Onion City\, Black Maria\, Portland International\, Milwaukee Underground\, CAAMFest\, San Diego Asian Film Festival\, Chicago Underground\, Mar del Plata\, FIC Valdivia\, Viennale\, and New York Film Festival’s Projections. He’s has also shown at venues such as REDCAT\, Light Industry\, UnionDocs\, Harvard Film Archive\, MoMA\, DINCA\, NYU\, Red Room\, ATA\, 3s\, and Black Hole Cinematheque. \nSolondz has received awards from Black Maria\, New Orleans Film Festival\, Chicago Underground Film Festival\, and Ann Arbor Film Festival as well as commissions for shows at Heliopolis\, ACRE TV\, and microscope gallery. He has an ongoing collaboration with Jim Supanick as the electronic slime duo known as SynthHumpers. \nJosh studied at Bard College and received his MFA from the California Institute of the Arts. He lives in Brooklyn\, NY with his partner and occasional collaborator Emma Brenner-Malin.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”128086″ img_size=”full”][/vc_column][vc_column width=”2/3″][vc_column_text]Maryam Tafakory  (b. Shiraz\, Iran) is an artist-filmmaker based in London. Her work draws on the notion of personal as political in a fractured narrative that involves a subtle negotiation between factual and fiction\, exploring allegorical forms of visual narrative\, using abstracted\, symbolic and textual motifs and their on-screen representation. Part performance\, her work draws on womanhood and rites of passage\, interweaving poetry\, (self)-censorship and religion\, combining a formal minimalist syntax and figurative mode of representation. \nShe studied her MFA at Oxford University and her work have exhibited internationally including\, Rotterdam IFFR; Edinburgh EIFF; Zurich Film Festival; Melbourne MIFF; ZINEBI; Hamburg IKFF; ICA London; BFI London; Kurzfilmtage Winterthur; Ji.hlava IDFF; Barbican Centre London; New York UnionDocs; and BBC Three. She has received several awards for her films including Best Short Film at Dokumenta-Madrid.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”125156″ img_size=”full”][/vc_column][vc_column width=”2/3″][vc_column_text]Leo Goldsmith is a writer\, curator\, and teacher based in Brooklyn. His writing has appeared in Artforum\, art-agenda\, Cinema Scope\, and The Brooklyn Rail\, where he was film editor from 2011 to 2018. He is currently writing a book about the filmmaker Peter Watkins with Rachael Rakes.[/vc_column_text][/vc_column][/vc_row]
URL:https://uniondocs.org/event/flaherty-nyc-prisoners-cinema-2/
LOCATION:Anthology Film Archives\, 32 2nd Avenue\, New York\, NY\, 10003\, United States
CATEGORIES:Screenings & Events
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