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DTSTART;TZID=America/New_York:20170608T193000
DTEND;TZID=America/New_York:20170608T223000
DTSTAMP:20260710T101751
CREATED:20170522T160121Z
LAST-MODIFIED:20180228T143900Z
UID:10002158-1496950200-1496961000@uniondocs.org
SUMMARY:#Resist: Learning from the Farm Workers Movement
DESCRIPTION:[vc_row][vc_column][vc_empty_space height=”40px”][vc_separator color=”custom” accent_color=”#ffffff”][vc_empty_space height=”40px”][vc_column_text]The movement to eat clean\, local and organic has been growing rapidly for the past several years\, but what about the people who actually pick our food? In the next session of BK@24FPS #Resist Film Series we will explore the fight for labor rights by farm workers across the United States. We will look back to the 1960s with Delano Manongs on the Filipino pickers who started the famous grape boycott and a clip from Dolores\, the timely documentary on the life of Dolores Huerta of UFW. We’ll then flash forward to the present with Food Chains\, an exposé on the deplorable conditions that forced Latino tomato pickers in Florida to join together and fight for better wages.[/vc_column_text][vc_empty_space height=”40px”][vc_text_separator title=”Program” color=”white” el_class=”h1″][vc_custom_heading text=”Dolores” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][vc_custom_heading text=”10 min.\, 2017″ font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_column_text]We will view a clip from Dolores\, the timely documentary on the life of Dolores Huerta of United Farm Workers.[/vc_column_text][vc_empty_space height=”40px”][vc_custom_heading text=”Food Chains” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][vc_custom_heading text=”60 min.\, 2014″ font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_column_text]In this exposé\, an intrepid group of Latino farmworkers battle to defeat the $4 trillion global supermarket industry through their ingenious Fair Food program\, which partners with growers and retailers to improve working conditions for farm laborers in the United States. \nThere is more interest in food these days than ever\, yet there is very little interest in the hands that pick it. Farmworkers\, the foundation of our fresh food industry\, are routinely abused and robbed of wages. In extreme cases they can be beaten\, sexually harassed or even enslaved – all within the borders of the United States. \nFood Chains reveals the human cost in our food supply and the complicity of large buyers of produce like fast food and supermarkets. Fast food is big\, but supermarkets are bigger – earning $4 trillion globally. They have tremendous power over the agricultural system. Over the past 3 decades they have drained revenue from their supply chain leaving farmworkers in poverty and forced to work under subhuman conditions. Yet many take no responsibility for this.[/vc_column_text][vc_empty_space height=”40px”][vc_custom_heading text=”Delano Manongs” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][vc_custom_heading text=”26 min.\, 2014″ font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_column_text]We will look back to the 1960s with Delano Manongs on the Filipino pickers who started the famous grape boycott.[/vc_column_text][vc_empty_space height=”40px”][vc_empty_space height=”40px”][vc_text_separator title=”96 min” color=”white” el_class=”h1″][vc_empty_space height=”40px”][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”76586″ img_size=”200 x 200″][/vc_column][vc_column width=”2/3″][vc_column_text]Sanjay Rawal had a over a decade’s worth of experience as a human rights and humanitarian aid consultant with projects in over 40 countries before being bit by the film bug. His first feature\, Food Chains\, chronicled the struggle of a small group of tomato pickers\, the Coalition of Immokalee Workers\, as they fought for rights and wages from multibillion-dollar corporations atop the food supply chain. The film was produced by Eva Longoria and Eric Schlosser and narrated by Forest Whitaker. \nIt had its world and domestic premieres in 2014 at the Berlinale and Tribeca\, respectively. It was released theatrically nationwide by Screen Media and won a number of awards\, including the 2015 BritDoc Impact Award. Sanjay is currently finishing a film on indigenous long-distance running which took him from Botswana to Japan to Arizona.[/vc_column_text][/vc_column][/vc_row]
URL:https://uniondocs.org/event/2017-06-08-bk24fps-aim-movement/
LOCATION:UnionDocs\, 352 Onderdonk Avenue\, 352 Onderdonk Avenue\, Ridgewood\, NY\, 11385\, United States
CATEGORIES:BK@24fps,Screenings & Events
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=UnionDocs 352 Onderdonk Avenue 352 Onderdonk Avenue Ridgewood NY 11385 United States;X-APPLE-RADIUS=500;X-TITLE=352 Onderdonk Avenue:geo:-73.9507576,40.7099952
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170413T193000
DTEND;TZID=America/New_York:20170413T213000
DTSTAMP:20260710T101751
CREATED:20170323T185351Z
LAST-MODIFIED:20180228T143904Z
UID:10002658-1492111800-1492119000@uniondocs.org
SUMMARY:#Resist: Learning from the DREAMers
DESCRIPTION:[vc_row][vc_column][vc_empty_space height=”40px”][vc_separator color=”custom” accent_color=”#ffffff”][vc_empty_space height=”40px”][vc_column_text]In this session of BK@24FPS we will explore the DREAM Act\, its failure to pass in Congress\, and how a group of young immigration activists forced a national conversation on policy reform resulting in Obama’s Executive Order known as DACA. Within his first month in office\, Trump moved forward on building a wall and executing a travel ban. With ICE raids being widely reported\, the threat to immigrants on and off US soil has reached a critical point. We will watch segments of the powerful documentary ‘Immigration Battle’ and the poetic short film ‘Dreams Awake’ plus a stop-motion animated short from the ‘Dreamer Generation’ series to dig into the state of immigration in the US and draw lessons from those who’ve been fighting for immigration reform for decades. \nWe will be joined by filmmakers Michael Camerini\, Shari Robertson and William Caballero along with Yasmine Farhang from Make the Road NY for a discussion following the program. This post-screening Q&A will offer those in attendance concrete actions they can take to join the immigrant rights movement.\n[/vc_column_text][vc_empty_space height=”40px”][vc_text_separator title=”Program” color=”white” el_class=”h1″][vc_custom_heading text=”Dreams Awake” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][vc_custom_heading text=”7 min.\, 2010\, Kevin Gordon & Rebekah Meredith” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_column_text]A meditation on immigration and expression through the experience of one immigrant worker who discovered his political and artistic voice in the US.[/vc_column_text][vc_empty_space height=”40px”][vc_custom_heading text=”Immigration Battle `{`excerpt`}`” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][vc_custom_heading text=”111 min.\, 2015\, Shari Robertson & Michael Camerini ” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_column_text]Goes behind closed doors in Washington’s corridors of power to explore the political realities surrounding one of the country’s most pressing and divisive issues.[/vc_column_text][vc_empty_space height=”40px”][vc_text_separator title=”90 min” color=”white” el_class=”h1″][vc_empty_space height=”40px”][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”75473″ img_size=”200×200″][/vc_column][vc_column width=”2/3″][vc_column_text]Shari Robertson and Michael Camerini have been making documentary films together for 20 years. Their New York City production company is the Epidavros Project/Epidoko Pictures. Before joining forces\, both made movies about cultures and political situations outside the U.S. They filmed matriarchs of extended families in Haryana State\, India\, and young Khmer Rouge guerrilla fighters in Western Cambodia\, coca growers in Peru’s Upper Huallaga Valley and tribal elders in Kankan\, Northeast Guinea. Their first feature documentary collaboration was a deep look at the barriers to girls’ education in Africa\, These Girls are Missing. The first U.S. film came next—an inside look at the American political asylum system\, the groundbreaking Well-Founded Fear. Then in the summer of 2001\, still in the United States\, they entered into the mysteries of Capitol Hill\, by far the most complex culture and political situation either of them had encountered … anywhere. Twelve years later\, the New York Film Festival premiered all 10 feature documentaries in the resulting series How Democracy Works Now. Fall 2015 brought a return to Lincoln Center and the New York Film Festival to premiere the series’ capstone\, Immigration Battle/Reasons to Believe. The national U.S. broadcast on PBS Frontline followed in late October. After Capitol Hill\, Camerini and Robertson are once again on the loose\, in the world. Their latest stop took them to Africa’s Sahel region for an up-close look at ordinary people working to counter violent extremism in\, NIGER:Tales of Resilience.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”40px”][vc_text_separator title=”BK@24fps”][vc_empty_space height=”40px”][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”75058″][/vc_column][vc_column width=”2/3″][vc_column_text]Our monthly Brooklyn-based screening series  – BK@24fps \n\n\n\nSkylight Pictures & Engage\, Remezcla and UnionDocs’ monthly screening series highlights documentary films that recount the history of political movements led by people of color. Each program will be followed by a panel discussion with the filmmakers alongside activists currently involved in organizing for social change. The #Resist Film Series will provide lessons from the past and present while giving the audience hope that\, in the face of a Trump presidency\, they have the power to change the future. \n\nIn the months to come\, we’ll announce the titles for future screenings of the #Resist Film Series. Keep an eye out for more info on our May 11 program focusing on the United Farm Workers\, the June 8 screening centering on the LGBTQ rights movement\, and our July 13 event on the Young Lords. \n\n\n\n\n\n\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_video link=”https://vimeo.com/209989965″][/vc_column][/vc_row]
URL:https://uniondocs.org/event/2017-04-13-immigrants-borders-dreamers/
LOCATION:UnionDocs\, 352 Onderdonk Avenue\, 352 Onderdonk Avenue\, Ridgewood\, NY\, 11385\, United States
CATEGORIES:BK@24fps,Screenings & Events
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GEO:40.7099952;-73.9507576
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=UnionDocs 352 Onderdonk Avenue 352 Onderdonk Avenue Ridgewood NY 11385 United States;X-APPLE-RADIUS=500;X-TITLE=352 Onderdonk Avenue:geo:-73.9507576,40.7099952
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170309T193000
DTEND;TZID=America/New_York:20170309T220000
DTSTAMP:20260710T101751
CREATED:20170302T172301Z
LAST-MODIFIED:20180228T143905Z
UID:10002130-1489087800-1489096800@uniondocs.org
SUMMARY:Making the Invisible Visible
DESCRIPTION:[vc_row][vc_column][vc_empty_space height=”40px”][vc_separator color=”custom” accent_color=”#ffffff”][vc_empty_space height=”40px”][vc_column_text]As the current right wing Trump regime unfolds we see daily attacks on all of our hard won social structures; from Public Education\, to healthcare\, to our immigrant rights\, to freedom of the press\, to building pipelines. The onslaught can be overwhelming\, and the prospect of building and sustaining a meaningful resistance may appear dim. Pessimism can be particularly pervasive we never get to see other people like ourselves attempting to get organized. These efforts don’t appear on our social media feeds or in the mass media. Filters\, either imposed by others or by ourselves\, often skew our assessment of the potential for social change. This month we look at one aspect of invisible America – the organized resistance of poor Americans fighting for their survival.[/vc_column_text][vc_empty_space height=”40px”][vc_text_separator title=”Program” color=”white” el_class=”h1″][vc_custom_heading text=”Ñ Don’t Stop\, The Mike Brown Rebellion Part IV” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][vc_custom_heading text=”11 min.\, 2017″ font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_column_text]News\, culture and entertainment featuring interviews and profiles with artists\, muralists and community leaders. Hosted and produced by Rebel Diaz.[/vc_column_text][vc_empty_space height=”40px”][vc_custom_heading text=”America Will Be” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][vc_custom_heading text=”excerpts\, 2017″ font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_column_text]A new documentary film series that shines a light on leading voices at the frontlines of emerging social movements in the United States. \n“America Will Be” goes beyond the headlines to explore today’s most urgent battles and to meet the people who are putting their bodies\, and sometimes their lives\, on the line to secure a better future for their children. From the Native American resistance in Standing Rock to the struggles for clean and affordable water in Detroit and Flint; from the fight to end racist legislation in North Carolina to the successful nationwide strike of fast food workers fighting to raise the minimum wage to $15\, “America Will Be” documents a profound moment in American history\, a moment unlike any other since the Civil Rights Movement.[/vc_column_text][vc_empty_space height=”40px”][vc_empty_space height=”40px”][vc_text_separator title=”22 min” color=”white” el_class=”h1″][vc_empty_space height=”40px”][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”55330″ img_size=”300×300″][/vc_column][vc_column width=”2/3″][vc_column_text]Charon Hribar is the Director of Cultural Strategies and Poor People’s Campaign Revivals Coordinator for the Kairos Center for Religions\, Rights\, and Social Justice. Over the past 15 years\, Charon has been committed to the work of political education\, leadership development\, and has taken up a particular interest in developing the use of arts in culture for movement building with community and religious leaders across the country. Charon holds a Ph.D. in Religion and Society from Drew University. Her recent academic and movement building research explore the use of Poverty Truth Commissions to confront the structural violence of poverty in the United States and around the world. She currently serves as a lead advisor to the New Poor People’s Campaign’s Truth Commission on the Right to Not Be Poor. Charon is also a consultant with Beyond the Choir\, a strategy and training collective working with social justice organizations to craft resonant messaging and plan strategic campaigns.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”55414″ img_size=”300×300″][/vc_column][vc_column width=”2/3″][vc_column_text]Dara Kell is an award-winning South African filmmaker and media organizer. She directed and produced “Dear Mandela\,” a film about three courageous young South African slum dwellers who lead a social movement to stop mass evictions across the country. “Dear Mandela” is the centerpiece of a global community engagement project that educates slum residents about their housing rights and inspires young people to become leaders. Dara was commissioned by Terre des Hommes to create a series of films about children’s perspectives of the 2014 FIFA World Cup and the 2016 Olympic Games. Filmed in Brazil’s army-occupied favelas\, the documentaries are part of a campaign to make mega sporting events more safe and fair for children. For more than a decade\, Dara has worked closely with foundations like the Ford Foundation and non-profits like PEN America and the Kairos Center for Religions\, Rights and Social Justice at Union Theological Seminary to design educational materials and produce multimedia content for a wide range of their programs.Dara runs Brooklyn-based production company Brava Media. Her work has been supported by the Sundance Institute\, the New York State Council on the Arts\, the Bertha Foundation and the Ford Foundation.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”55417″ img_size=”300×300″][/vc_column][vc_column width=”2/3″][vc_column_text]Claudia de la Cruz\, from the South Bronx is a long time organizer and educator. For the past 8 years\, she has done organizing work through culture and media as a member of The Rebel Diaz Arts Collective.  She is co-host of TeleSur’s English innovative web TV series Ñ Don’t Stop  with the Hip Hop duo\, Rebel Diaz. The goal is to “produce knowledge and cultural based content that is narrated by us…”  Claudia will discuss their cultural work as it relates to movement building.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”55428″ img_size=”300×300″][/vc_column][vc_column width=”2/3″][vc_column_text]Eli Wright served as a combat medic in the US Army from 2002-2008 and deployed to Ramadi\, Iraq from 2003-2004. Since 2007\, he has been traveling whenever and wherever possible with Warrior Writers and Combat Paper to work with fellow vets in pursuit of creative pathways for addressing war trauma. He is currently serving as instructor and co-coordinator of the Combat Paper Project at the Printmaking Center of New Jersey. Eli is a long time member of Iraq Veterans Against the War. \n\n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_video link=”https://vimeo.com/206643753″][/vc_column][/vc_row]
URL:https://uniondocs.org/event/2017-03-09-making-invisible-visible/
LOCATION:UnionDocs\, 352 Onderdonk Avenue\, 352 Onderdonk Avenue\, Ridgewood\, NY\, 11385\, United States
CATEGORIES:BK@24fps,Screenings & Events
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GEO:40.7099952;-73.9507576
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=UnionDocs 352 Onderdonk Avenue 352 Onderdonk Avenue Ridgewood NY 11385 United States;X-APPLE-RADIUS=500;X-TITLE=352 Onderdonk Avenue:geo:-73.9507576,40.7099952
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170209T193000
DTEND;TZID=America/New_York:20170209T223000
DTSTAMP:20260710T101751
CREATED:20170123T230219Z
LAST-MODIFIED:20180228T143907Z
UID:10002105-1486668600-1486679400@uniondocs.org
SUMMARY:Justifiable Paranoia: National Bird & Aaron Brown
DESCRIPTION:[vc_row][vc_column][vc_column_text]We welcome Curtis Wallen and Sonia Kennebeck for an evening of JUSTIFIABLE PARANOIA for this month’s iteration of the BK@24fps series with Skylight Pictures. Wallen will describe his Aaron Brown project\, reflecting on identity protection on the internet\, before we screen Kennebeck’s latest feature. Deemed “elegantly unsettling” by The New York Times\, National Bird follows the dramatic journey of three whistleblowers who are determined to break the silence around one of the most controversial current affairs issues of our time: The secret U.S. drone war. From Executive Producers Wim Wenders\, and Errol Morris\, the images in this film haunt the audience and bring a faraway issue close to home. Discussion with Wallen and Kennebeck will follow\, moderated by Melvin Estrella. \n[/vc_column_text][vc_empty_space height=”40px”][vc_separator color=”custom” accent_color=”#ffffff”][vc_empty_space height=”40px”][vc_empty_space height=”40px”][vc_text_separator title=”Program” color=”white” el_class=”h1″][vc_custom_heading text=”Aaron Brown: on creating an identity on the deep web ” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][vc_custom_heading text=”15 min.\, mixed media\n” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_column_text] \nCurtis Wallen will give a short presentation on creating an identity on the deep web. \n[/vc_column_text][vc_custom_heading text=”National Bird” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][vc_custom_heading text=”92 min.\, 2016″ font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_column_text] \nNational Bird follows the dramatic journey of three whistleblowers who are determined to break the silence around one of the most controversial current affairs issues of our time: The secret U.S. drone war. \nAt the center of the film are three U.S. military veterans. Tortured by guilt over participating in the killing of faceless people in foreign countries\, they decide to speak out publicly\, despite the possible consequences. \nTheir stories take dramatic turns\, leading one of the protagonists to Afghanistan where she learns about a horrendous incident. But her journey also gives hope for peace and redemption. \nNational Bird gives rare insight into the U.S. drone program through the eyes of veterans and survivors\, connecting their stories as never seen before in a documentary. Its images haunt the audience and bring a faraway issue close to home. \n[/vc_column_text][vc_empty_space height=”40px”][vc_text_separator title=”92 min” color=”white” el_class=”h1″][vc_empty_space height=”40px”][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”52385″ img_size=”200×200″][/vc_column][vc_column width=”2/3″][vc_column_text]Sonia Kennebeck is an independent documentary filmmaker and investigative journalist with more than 15 years of directing and producing experience. She has directed eight television documentaries and more than 50 investigative reports. Most recently\, she completed her first feature-length documentary\, National Bird\, a film about the U.S. drone war which was executive produced by Wim Wenders and Errol Morris and premiered in the prestigious Specials Section of the Berlin Film Festival 2016 and was also selected for Tribeca\, Sheffield and IDFA\, among many other festivals. National Bird will open in theaters in the U.S. and Europe in November and will be broadcast on PBS in spring 2017. Filmmaker Magazine selected Sonia Kennebeck as one of the 25 New Faces of Independent Film 2016. Sonia Kennebeck received a Master’s degree in International Affairs from American University in Washington\, D.C. She was born in Malacca\, Malaysia and lives in New York.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”53068″ img_size=”200×200″][/vc_column][vc_column width=”2/3″][vc_column_text]Curtis Wallen is an artist\, writer\, and researcher from Missouri\, currently based in Brooklyn. His work focuses on the structures of technology\, security\, and power. He has appeared in The Atlantic\, Wired\, Fast Company\, Süddeutsche Zeitung\, VICE Motherboard\, and the BBC. His work has been exhibited and presented internationally in New York\, Los Angeles\, Germany\, and Switzerland. He is also the co-founder of the art gallery Motel.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_text_separator title=”BK@24fps”][/vc_column][/vc_row][vc_row][vc_column width=”1/4″][vc_single_image image=”53057″ img_size=”300×500″][/vc_column][vc_column width=”3/4″][vc_column_text]Our monthly Brooklyn-based screening series highlights documentary films as a way to to expand dialogue around the intersection of human rights and art. Born out of a three-way collaboration between Skylight\, UnionDocs\, and WITNESS\, these monthly events aim to strengthen the ties between people interested in human rights in Brooklyn and will consist of\, a 10-part series of film screenings followed by a partner-moderated discussion between the filmmaker\, movement actors\, and the audience. During our discussions we debate the conventional framework for human rights and challenge the definition of what constitutes human rights media.[/vc_column_text][/vc_column][/vc_row]
URL:https://uniondocs.org/event/2017-02-09-national-bird/
LOCATION:UnionDocs\, 352 Onderdonk Avenue\, 352 Onderdonk Avenue\, Ridgewood\, NY\, 11385\, United States
CATEGORIES:BK@24fps,Screenings & Events
ATTACH;FMTTYPE=image/jpeg:https://uniondocs.org/wp-content/uploads/2017/01/vidPoster.jpg
GEO:40.7099952;-73.9507576
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=UnionDocs 352 Onderdonk Avenue 352 Onderdonk Avenue Ridgewood NY 11385 United States;X-APPLE-RADIUS=500;X-TITLE=352 Onderdonk Avenue:geo:-73.9507576,40.7099952
END:VEVENT
END:VCALENDAR