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DTSTART;TZID=America/New_York:20251122T190000
DTEND;TZID=America/New_York:20251122T190000
DTSTAMP:20260712T161644
CREATED:20251101T154444Z
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SUMMARY:Between Borders and Voices:  The Cinema of Bernardo Ruiz
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=””]Doors 6:30p\nProgram 7:00p\nTickets $6[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_column_text]UnionDocs\n352 Onderdonk Ave\nRidgewood\, NY[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”30px”][vc_video link=”https://vimeo.com/851422192″][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””]UnionDocs\, Color Congress — through its Elev8Docs Marketing Initiative — and Cinema Tropical present acclaimed filmmaker Bernardo Ruiz for a special evening of conversation and preview\, part of Between Borders and Voices: The Cinema of Bernardo Ruiz — the first retrospective of the three-time Emmy-nominated director and one of the most incisive voices in contemporary nonfiction media. \nWith over two decades in independent film\, Ruiz will reflect on the collapse of traditional funding\, the rise of the creator economy\, and the challenges of making meaningful work outside legacy systems. Through film clips and personal insights\, he’ll share his “imperfect strategy” for navigating today’s media landscape. The evening includes a sneak peek at Ruiz’s newest project\, The Low Season — a hybrid fiction-documentary about a woman from the future who helps immigrant families in present-day Queens. Blending participatory storytelling and speculative fiction\, the film opens up bold new possibilities for socially engaged cinema. \nJoin us for this timely and thought-provoking conversation — and be among the first to experience Ruiz’s daring new work in progress. \nCome through![/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nProgram \n[/vc_column_text][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””] \nThe Low Season\n[/vc_column_text][vc_column_text css=””]by Bernardo Ruiz[/vc_column_text][vc_column_text css=””]A hybrid fiction-documentary about a woman from the future who helps immigrant families in present-day Queens[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text css=””] \nProgram Duration: 90 mins \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”40px”][vc_single_image image=”147742″ img_size=”full”][vc_column_text] \nWatch the conversation between Presenter1\, Presenter2 and Presenter 3 on the UnionDocs’ Membership hub. \n[/vc_column_text][vc_btn title=”Watch” style=”outline-custom” outline_custom_color=”#ffffff” outline_custom_hover_background=”#adadcc” outline_custom_hover_text=”#0000cd” shape=”round” align=”center” css_animation=”bounceIn”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nBios \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”160808″ img_size=”full” css=””][/vc_column][vc_column width=”2/3″][vc_column_text css=””] \nBERNARDO RUIZ is a three-time Emmy®-nominated documentary filmmaker and a 2024 Documentary Film Fellow at Harvard’s Shorenstein Center on Media\, Politics and Public Policy. Ruiz has directed and produced five feature-length documentaries\, as well as a host of non-fiction television for broadcasters\, streamers\, and social media platforms. \nBorn in Guanajuato\, Mexico to Mexican and American parents\, Ruiz came to the U.S. at age 6 and grew up in Brooklyn\, New York. During the handycam craze of the 1980s\, he made Super8mm films. Ruiz later studied photography with Joel Sternfeld at Sarah Lawrence College\,  where he also studied writing with the novelist Jerome Badanes. \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nFrom the Event \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][vc_media_grid style=”pagination” items_per_page=”1″ element_width=”12″ arrows_design=”vc_arrow-icon-arrow_01_left” arrows_position=”outside” arrows_color=”white” loop=”yes” item=”136647″ grid_id=”vc_gid:1762286867963-61a0b334-e0a8-10″ include=”147747\,147746\,147745″][vc_empty_space height=”30px”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”30px”][vc_video link=”https://vimeo.com/851422192″][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”40px”][vc_single_image image=”147742″ img_size=”full”][vc_column_text] \nWatch the conversation between Presenter1\, Presenter2 and Presenter 3 on the UnionDocs’ Membership hub. \n[/vc_column_text][vc_btn title=”Watch” style=”outline-custom” outline_custom_color=”#ffffff” outline_custom_hover_background=”#adadcc” outline_custom_hover_text=”#0000cd” shape=”round” align=”center” css_animation=”bounceIn”][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nFrom the Event \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][vc_media_grid style=”pagination” items_per_page=”1″ element_width=”12″ arrows_design=”vc_arrow-icon-arrow_01_left” arrows_position=”outside” arrows_color=”white” loop=”yes” item=”136647″ grid_id=”vc_gid:1762286867964-6288ed12-c5f3-9″ include=”147747\,147746\,147745″][vc_empty_space height=”30px”][/vc_column][/vc_row]
URL:https://uniondocs.org/event/between-borders-and-voices-the-cinema-of-bernardo-ruiz-2025-11-22/
LOCATION:UnionDocs\, 352 Onderdonk Avenue\, 352 Onderdonk Avenue\, Ridgewood\, NY\, 11385\, United States
CATEGORIES:Screenings & Events
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230921T200000
DTEND;TZID=America/New_York:20230921T200000
DTSTAMP:20260712T161644
CREATED:20230324T205239Z
LAST-MODIFIED:20231003T153658Z
UID:10002787-1695326400-1695326400@uniondocs.org
SUMMARY:Archives for the Future:  Ignacio Agüero
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text]Doors 7:30p\nProgram 8:00p[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_column_text]UnionDocs\n352 Onderdonk Ave\nRidgewood\, NY[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_video link=”https://vimeo.com/860534489″][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text]Almost an exact decade after we screened Ignacio Agüero’s Under Construction in collaboration with José Miguel Palacios\, we are moved to invite him\, Elizabeth Ramírez-Soto and Agüero back to open up a new conversation on the occasion of the 50 year anniversary of the 1973 Chilean Coup that overthrew Salvador Allende and established dictatorship in Chile. \nIn 1985\, during the military dictatorship and after two years of massive protests against the regime\, several Chilean directors were making documentary and fiction films. Celebrated documentarian Ignacio Agüero was one of them. He went out on the streets and to the locations and sets used by his fellow filmmakers\, and asked them: Why are you making this film? Who is it for? With doses of humor and retaining hope in the face of palpable state violence\, Como me da la gana (This is the Way I Like It) is a kaleidoscopic view on the powers of making films in times of political urgency. \nThree years later\, Agüero turned his attention to a different aspect of film culture—education—and to a figure who had been crucial in his own college years—the legendary Alicia Vega. Vega was much more than a university professor. For decades\, she led film workshops for kids in the outskirts and poor neighborhoods of Santiago and other parts of Chile. Cien niños esperando un tren (One Hundred Children Waiting for a Train) (1988) documents one of the early workshops led by Vega\, in which she teaches kids about cinema by making thaumatropes\, watching early silent films\, and going for the first time to a movie theater. Agüero’s documentary captures an indefatigable educator at work and\, in the process\, offers a moving portrait of children’s imagination towards the end of the dictatorship. \nProgrammed by José Miguel Palacios & Elizabeth Ramírez-Soto as part of Chile 1973/2023 and its “Archives for the Future” film series. \nA special thank you to Icarus Films for their generous support of this program. \nAbout the Series Chile 1973/2023 is a collaborative series of cultural activities that commemorate the 50th anniversary of the U.S.-backed military coup that toppled the socialist government of Salvador Allende on September 11\, 1973. Taking place between September and December 2023 in different venues throughout NYC and Princeton\, the events include a film and video series showcasing 50 titles as well as an art exhibition and several dialogues with renowned guest critics\, filmmakers\, writers\, and artists coming from Chile and beyond. All activities are organized by a team of Chilean and international scholars committed to the project of reactivating the artistic\, cinematic\, and literary memory of the coup.[/vc_column_text][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nARTISTIC DIFFERENCES \n[/vc_column_text][vc_separator][vc_column_text] \nWant to dive deeper? Ignacio Agüero will be the study of our first Artistic Differences program this fall! We’re joining hands with Doc Lisboa to curate a line-up of Agüero’s films as well as a Study Group on October 7! If you’re interested in chatting with doc enthusiasts from all over the world about this remarkable filmmaker\, sign up! \n[/vc_column_text][vc_btn title=”SIGN UP!” style=”outline-custom” outline_custom_color=”#61ff00″ outline_custom_hover_background=”#61ff00″ outline_custom_hover_text=”#000000″ shape=”round” align=”center” css_animation=”bounceIn” link=”url:https%3A%2F%2Fairtable.com%2Fappc80NnRhlb4sgjP%2FshrQQyl718Dcv2AEO|title:SIGN%20UP!”][/vc_column][/vc_row][vc_row][vc_column][vc_separator][vc_column_text] \nProgram \n[/vc_column_text][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text] \nComo me da la gana (This is the Way I Like It) by Ignacio Agüero\n[/vc_column_text][vc_column_text]28 mins\, 1985[/vc_column_text][vc_column_text]Director Ignacio Agüero interrupts the production of several films that are taking place in Chile during 1984 to ask the filmmakers what is the point of filming in Chile under the Pinochet dictatorship.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text] \nCien niños esperando un tren (One Hundred Children Waiting for a Train) by Ignacio Agüero\n[/vc_column_text][vc_column_text]57 mins\, 1988[/vc_column_text][vc_column_text]A documentary about a film workshop for children given by Alicia Vega\, a teacher in a marginal quarter of Santiago\, to kids whose common characteristic is that they have never been to the movies. One hundred years after the invention of cinema one hundred children go to the movies for the first time . They tell their experience in a film they shall make with drawings on paper frames.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_column_text] \nProgram Duration: 85 mins \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”40px”][vc_single_image image=”147742″ img_size=”full”][vc_column_text] \nWatch the conversation between Presenter1\, Presenter2 and Presenter 3 on the UnionDocs’ Membership hub. \n[/vc_column_text][vc_btn title=”Watch” style=”outline-custom” outline_custom_color=”#ffffff” outline_custom_hover_background=”#adadcc” outline_custom_hover_text=”#0000cd” shape=”round” align=”center” css_animation=”bounceIn”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nBios \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”147875″ img_size=”full”][/vc_column][vc_column width=”2/3″][vc_column_text]Born in 1952\, in Santiago\, Chile\, Ignacio Agüero studied architecture and then began studying film the year after the military coup\, when most filmmakers were going into exile. He made his first films under the Pinochet dictatorship\, up to One Hundred Children Waiting for a Train (1988). During all those years he worked in advertising\, until he co-directed the famous television campaign for the “No” vote in the referendum that defeated Pinochet in 1988. Agüero is most recognized as the author of nearly twenty documentaries. But he has also made telefilms and has been an actor in numerous films\, including several by Raúl Ruiz. Retrospectives of his work have been held in various countries\, such as Mexico\, Spain\, Peru\, Argentina\, Bolivia\, New Zealand\, and France. He has received numerous awards\, including the Grand Prix at FIDMarseille in 2016 and 2019 as well as best Latin American film at the Mar del Plata Film Festival in 2019. He holds the title of full Professor at the University of Chile. He also participates in the Zéro en Conduite organization doing film workshops for children. Agüero’s most recent work is Notes for a film (2022) and he is currently developing a new project titled Letters to my dead parents.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”147883″ img_size=”full”][/vc_column][vc_column width=”2/3″][vc_column_text]Elizabeth Ramírez-Soto is Assistant Professor in the Department of Communication and Media Studies at Fordham University. Prior\, she worked in the School of Cinema at San Francisco State University. She is the author of (Un)veiling Bodies: A Trajectory of Chilean Post-Dictatorship Documentary (Legenda\, 2019) and coeditor of Nomadías: El cine de Marilú Mallet\, Valeria Sarmiento y Angelina Vázquez (Metales Pesados\, 2016). Her work has appeared in journals like Film Quarterly\, Feminist Media Histories\, and Jump Cut\, as well as in numerous edited collections. Elizabeth is currently working on a book tentatively titled Transnational Experimental Television: The Global South on European Screens\, for which she received a Summer Stipend from the National Endowment for the Humanities. She is cofounder of the Latin American Women’s Audiovisual Research Network\, RAMA. \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”147884″ img_size=”full”][/vc_column][vc_column width=”2/3″][vc_column_text]José Miguel Palacios is Assistant Professor in the Department of Film and Electronic Arts at California State University Long Beach. He is currently writing a book titled Cinema Solidarity: A Transnational History of Chilean Exile Film & Video (under contract with the University of California Press). His work has appeared in journals such as Film Quarterly\, Screen\, The Moving Image\, Jump Cut\, and [in] Transition\, as well as in various edited collections including Raúl Ruiz: Potencias de lo múltiple (Metales Pesados\, 2023) and Cinematic Homecomings (Bloomsbury\, 2015). Prior to joining CSULB\, he was a postdoctoral fellow in the Art Department at Universidad Alberto Hurtado in Santiago\, Chile (2018—2020).[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][vc_separator][vc_column_text] \nFrom the Event \n[/vc_column_text][vc_separator][vc_empty_space height=”30px”][vc_media_grid style=”pagination” items_per_page=”1″ element_width=”12″ arrows_design=”vc_arrow-icon-arrow_01_left” arrows_position=”outside” arrows_color=”white” loop=”yes” item=”136647″ grid_id=”vc_gid:1696346467485-9c42dcbf-cae1-5″ include=”148259\,148260\,148261\,148262\,148263\,148264″][vc_empty_space height=”30px”][vc_video link=”https://vimeo.com/870717862?share=copy”][vc_empty_space height=”30px”][/vc_column][/vc_row]
URL:https://uniondocs.org/event/archives-for-the-future-2023-09-21/
LOCATION:UnionDocs\, 352 Onderdonk Avenue\, 352 Onderdonk Avenue\, Ridgewood\, NY\, 11385\, United States
CATEGORIES:Screenings & Events
ATTACH;FMTTYPE=image/gif:https://uniondocs.org/wp-content/uploads/2023/08/archives-for-the-future-gif.gif
GEO:40.7099952;-73.9507576
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=UnionDocs 352 Onderdonk Avenue 352 Onderdonk Avenue Ridgewood NY 11385 United States;X-APPLE-RADIUS=500;X-TITLE=352 Onderdonk Avenue:geo:-73.9507576,40.7099952
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191124T193000
DTEND;TZID=America/New_York:20191124T220000
DTSTAMP:20260712T161644
CREATED:20191102T203037Z
LAST-MODIFIED:20191115T220028Z
UID:10002449-1574623800-1574632800@uniondocs.org
SUMMARY:Still Burn
DESCRIPTION:[vc_row][vc_column][vc_empty_space height=”40px”][vc_separator color=”custom” accent_color=”#ffffff”][vc_empty_space height=”40px”][vc_column_text] \nAlfredo Ovando Candia was a military general who served as Co-President of Bolivia from 1965–66 (and again from 1969–70) after overthrowing sitting President Víctor Paz Estenssoro. His political and military service connected him to the largest massacre of workers in the country’s history\, as well as the military campaign in which Che Guevara was killed. Incorporating archival footage recorded during Ovando’s de facto government\, home movies\, and interviews with relatives\, filmmaker Mauricio Alfredo Ovando’s debut feature studies the many profiles of his grandfather to juxtapose his family’s memories with the official history. Winner of the Best Director and FIPRESCI awards at the 2018 Buenos Aires International Festival of Independent Cinema\, Still Burn is a courageous\, perceptive documentary about how collective and personal memories are created from—and ultimately shape—a complicated legacy.  \n________________________________________________________ \nBEST DIRECTOR and FIPRESCI AWARD at BAFICI 2018 \nBEST FILM at TRANSCINEMA 2018 \nBEST FILM and BEST SCRIPT at PREMIOS PLURINACIONALES EDUARDO ABAROA 2018 \nBEST FEATURE at FESTIVAL DE CINE DE TUCUMÁN 2019 \nBEST DOCUMENTARY (MEJOR DOCUMENTAL at FICSUR 2018 \nBEST INTERNATIONAL FEATURE at EPA CINE 2019 \nBEST FEATURE at DIABLO DE ORO 2018 \n[/vc_column_text][vc_empty_space height=”40px”][vc_text_separator title=”Program” color=”white” el_class=”h1″][vc_custom_heading text=”Still Burn” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][vc_custom_heading text=”77 min.\, 2018\, Bolivia” font_container=”tag:p|text_align:left” use_theme_fonts=”yes”][vc_column_text] \n“A film about the infinite images of my grandfather\, recorded during his de facto military government in Bolivia at the end of the 1960s. My family’s version is confronted with the official history: The massacres of miners\, the nationalization of oil\,  Che Guevara and the Teoponte guerrilla. As in the movies of celluloid\, every time I stop to look at an image more carefully\, something burns inside me.” \n(Mauricio Alfredo Ovando) \n[/vc_column_text][vc_empty_space height=”40px”][vc_text_separator title=”77 min” color=”white” el_class=”h1″][vc_empty_space height=”40px”][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”128240″ img_size=”full”][/vc_column][vc_column width=”2/3″][vc_column_text] \nMauricio Alfredo Ovando (1986\, La Paz\, Bolivia) studied Film Direction at the Bolivian Catholic University\, the Master of Creative Documentary at the Buenos Aires Film Observatory\, Argentina and Advanced Cinematography at the International Cinema and Television School of San Antonio de los Baños\, Cuba. ‘Algo Quema’ (Still Burn) is his first film as a director.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_single_image image=”129351″ img_size=”full”][/vc_column][vc_column width=”2/3″][vc_column_text]Carlos A. Gutiérrez is a film/video programmer\, cultural promoter and arts consultant based in New York City. As a guest curator\, he has presented several film/video series at different cultural institutions\, including the Museum of Modern Art\, the Solomon R. Guggenheim Museum\, Film at Lincoln Center\, and BAMcinématek. Along with Mahen Bonetti\, he curated the 53rd edition of the Robert Flaherty Film Seminar. He serves in the board of directors of Film Forum\, is a contributing editor to BOMB Magazine\, and has served as a member of the jury and the selection committees for various international film festivals including Morelia\, Seattle\, Margaret Mead\, SANFIC\, and DocsDF\, among others. He has served as both expert nominator and panelist for the Rockefeller Fellowship Program for Mexican Film & Media Arts and for The Rolex Mentor and Protégé Arts Initiative\, as well as a screening panelist for the Oscars’ Academy Awards for film students. He holds MA in Cinema Studies from New York University and a BA in Communications from Universidad Iberoamericana (Mexico City).[/vc_column_text][/vc_column][/vc_row]
URL:https://uniondocs.org/event/2019-11-24-still-burn/
LOCATION:UnionDocs\, 352 Onderdonk Avenue\, 352 Onderdonk Avenue\, Ridgewood\, NY\, 11385\, United States
CATEGORIES:Screenings & Events
ATTACH;FMTTYPE=image/jpeg:https://uniondocs.org/wp-content/uploads/2019/10/Still-Burn.jpg
GEO:40.7099952;-73.9507576
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END:VEVENT
END:VCALENDAR