The UnionDocs Collaborative Studio (CoLAB) will span 8 months, inviting a select group of media artists to come together for a unique opportunity in one of NYC’s most exciting neighborhoods, Ridgewood, Queens.

The CoLAB offers a platform for exploring contemporary approaches to the documentary arts and a process for developing an innovative collaborative project with this group.

The program consists of weekly production meetings, seminars, screenings and other public events, along with regular critiques and encounters with visiting artists.

Oct 7th, 2025 — Jun 17th, 2026

Collaborative Studio Program Dates

Late June, 2025

Applications Open

Rather than applying with a project proposal or rough cut, participants are selected on the basis of previous work and enter the program with a blank slate, open to discovery and fresh connections on new projects. This year, we’re inviting a group of twelve emerging artists and filmmakers to participate in the program. CoLAB is designed to be affordable and, although participants are asked to make it their primary creative focus, the schedule does accommodate full-time, part-time or freelance work.

For the program’s first two months, from October 7th through mid-December, participants will gather remotely for once weekly research check-ins and seminar discussions, accumulating creative sparks and sources of inspiration. In January through the remainder of the program, participants will gather in person at UnionDocs twice a week to continue their research on the ground, and move ahead together into the production of their collaborative projects.

UnionDocs is not simply the host for this activity, it takes an active role producing the collection of short documentary works that comprise the collaborative project, leading the group through an incremental process where new ideas and new partnerships form; each participant finding their own avenues of creative contribution. A carefully selected group of accomplished Program Mentors from diverse backgrounds across the film industry will offer input and guidance throughout the production and editing process alongside the UNDO team.

The group’s collection of work will take shape around a shared thematic focus which is grounded geographically in UnionDocs’ neighborhood of Ridgewood, Queens and nearby communities. Each team of collaborators will be asked to research locally to explore the cultural histories and present-day realities of our nearest surroundings. Building off UnionDocs’ history of doing groundbreaking community-based projects like Living Los Sures, we’re excited to deepen this engagement through our second CoLAB since our move to Ridgewood. Our proximity to the borough boundary of Brooklyn and Queens is notable and leaves open many questions around what the New York Times has called a “historic interborough murkiness.” With a wave of media attention calling Ridgewood one of the hippest neighborhoods in the world, coupled with the never-ending rise of median rents in Brooklyn, these demarcations and questions of neighborhood and borough identity are brought into sharper relief.

The Brooklyn Rail summed it up with the title of their feature article: “UnionDocs Brings Auteurs Together.” For some, participation in the program may lead to further study. For others, it may lead to independent projects and strengthened careers within the industry. For all, it is an unparalleled immersion in the expansive field of documentary art.

Participants attend intimate sessions with more than twenty visiting experts; artists, curators, producers, critics, and academics who represent some of the most exciting voices in the documentary field.

Visiting Guest Artists will often share detailed history of a particular project from both a practical and a theoretical perspective, and then enter into an extended discussion with the group about the different creative and practical aspects of project development. For a Seminar, a visiting expert will generally present a short lecture and then engage the group in a close reading of the week’s assigned media and texts.

The central goal of the program is the production of a collective project, a unique collaborative documentary work, offering a way for a group of talented individuals to propose, develop and author (or co-author) original pieces. This final project approaches a singular subject or theme – rooted in UnionDocs’ immediate neighborhood – from multiple perspectives, in multiple media, following multiple stories, in order to develop a fascinating collection of interrelated short works.

The final manifestation of the whole project varies from year to year as suitable formats for each work unfold and distribution goals are defined. All projects will be shown first as a preview with UnionDocs and then seek other channels of distribution including festivals, museums, DIY events, online streaming, and broadcast.

CoLAB projects have been shown at The Museum of Modern Art’s Documentary Fortnight, BAMcinemaFest, The Brooklyn Museum, MOMA PS1, True/False Film Festival, Brooklyn Film Festival, Camden International Film Festival, The International Documentary Film Festival Amsterdam, Morelia International Film Festival, Carpenter Center for Visual Art at Harvard, the Hudson Valley Center for Contemporary Art, Fordham University’s Ildiko Butler Gallery, the docXchange initiative at HotDocs, Visible Evidence 18, the Volksbuehne in Berlin, DocNYC, Visions du Reel, ExDoc, TEDxBrooklyn, in temporary installations in vacant urban space, in DIY presentations in church basements, and at large open outdoor events in NYC.

In pursuing inventive documentary projects, CoLAB operates differently than a traditional film/art program, laboratory, or fellowship. Applicants do not arrive with pre-existing projects that they hope to advance nor work exclusively on independent interests.

Instead, we offer the scaffolding and an organized tried and true process to bring a set of independent voices and perspectives together to focus and share goals and skillsets. This allows for a balance of creative autonomy and shared responsibility, where participants cooperate and invest in each other’s work but have security in their own vision. It is not the case that the group must agree as a collective upon creative decisions. Three or more person partnerships often form, and individuals may play different roles on different projects. In this way, the production as a whole may embrace contradictions and diverse aesthetics in a multi-dimensional representation of the shared subject.

The program will incorporate the leadership of at least two artist Mentors – experienced filmmakers or producers in their own right – who will help facilitate regular feedback sessions with the cohort throughout the development and production of their collaborative projects. Through the Mentors’ personalized input, as well as constructive peer feedback from within the cohort, participants will find ample creative support and guidance to challenge themselves and experiment with new approaches to their practice.

Participants also have open access to UnionDocs’ public programming, which includes a dynamic range of events from October through June, representing the best in contemporary and historical non-fiction in film/video, sound, writing, photography, and interactive work.

With a 90 seat capacity, the audiences at UnionDocs are small but very dedicated. Sophie Fiennes, whose film “The Pervert’s Guide to Cinema” was one of our first events, told us that “It is these kinds of screenings that I really like, as I believe in the collective event of cinema.” The intimate and somewhat unconventional environment at UnionDocs has made for truly great conversations and the participants of the CoLAB are often at the core of the discussion. Participants have found this regular interaction with the wider NYC documentary community to be a very useful addition to their experience.

While our resources are limited, we encourage participants to own or have easy access to the basic tools for their preferred approach to documentary arts, UnionDocs can offer access to high quality video and audio packages plus many accessories, lighting, support, stabilization and other specialty gear that can be used on CoLAB projects. UnionDocs also has a professional editing system that can be booked by participants. This is especially useful for group and final edits. In addition, participants also often share their personal equipment and UNDO can sometimes facilitate relationships with vendors that may allow affordable rentals of specialty gear. Finally, we are avid supporters of DIY-strategies, and encourage creative forms of documentary that make intelligent use of available tools.

While access to equipment is provided, knowledge is freely shared, and cooperation is encouraged, this program does not provide specialized technical training. Rather, it is designed for resourceful individuals who learn by doing and do not view technical aspects as barriers to creativity and production. If necessary, we can recommend several local organizations that can provide technical training to complement your involvement in the CoLAB.

UnionDocs is located at 352 Onderdonk Avenue in Ridgewood, Queens. The first floor is a commercial space run by the UnionDocs staff. It includes a lobby area, workshop space/screening room, a larger cinema space for public events, a tech booth, and a small office. Resources on the first floor are available to participants for production on Collaborative projects within the schedule of the space’s other operations.

Once notified of acceptance into the UnionDocs Collaborative Studio, it is recommended that international applicants immediately begin the process of securing a visa to enter the United States of America. UnionDocs partners with International Arts & Artists, a non-profit organization based in Washington, DC that is a designated sponsor for the J1 visa.

Candidates apply for sponsorship from International Arts & Artists, who administers the application process and provides a Certificate of Eligibility. The candidate is then able to make an appointment at the US Consulate in their home country to apply for the J1 visa. This whole process takes several weeks to complete, so it is important that it be initiated immediately after accepting the invitation from UnionDocs.

Applying for a J1 visa does require additional fees to International Arts & Artists.  For a more detailed description of the steps and costs associated, please visit International Arts & Artists. International participants who already have or are able to secure an alternative visa will simply be required to provide proof to UnionDocs that they will be able to stay in the USA for the full length of the 6-month program.

Please indicate in your program application whether you will be joining us from outside the United States, and we will plan to expedite our review process. Because the wait-time to schedule a visa interview at your local embassy can vary significantly from place to place, we strongly encourage international applicants to submit their materials as quickly as possible.

To be considered complete, applications require:

—Two media samples

—Two letters of recommendation

—$15 application fee

Eligibility

Applicants cannot be enrolled in a full time degree program while participating in the UnionDocs Collaborative Studio.

Applicants should have a Bachelor’s Degree or equivalent in experience.

Tuition

Annual program fees are $3,200, payable in two parts: $500 deposit due upon accepting the invitation; remaining balance ($2,700) due at the start of the program.

Scholarships & Crowdfunding

For each Lab, UnionDocs will offer the equivalent of 2 full scholarships prioritizing underrepresented artists or those coming from historically marginalized backgrounds. Applicants interested in this possibility should indicate in their application, though it will have no impact on their review.

A private crowdfunding platform at donate.uniondocs.org is also available to accepted applicants, where they can accept tax deductible donations to offset their program fees.

Oct 7th—Dec 16th, 2025

Remote Research Period

Tuesdays
6pm –– 9pm

Research Meetings (via Zoom)

January 7th – June 17th, 2026

In-Person Development and Production Period

Wednesdays
6pm — 9pm

Production Meetings

Sundays
4pm — 6pm

Seminars & Artist Visits

Milestones

Mid-October – Mid-December

Remote Research

Jan

On the Ground Research

Feb

Pitching and Project Selection

Mar – May

Project Production

Late May

Rough Edit Critiques

Early Jun

Fine Edit Critiques

Late Jun

Collaborative Preview in the Park

A public screening of the collaborative studio projects.