Monday, Dec 11 at 8:00 am – Friday, Dec 15 at 5:30 pm
Full Spectrum Storytelling Intensive Winter 2017
With Mona Chalabi, Alexander Overington, Jenna Weiss-Berman, Sean Cole, Christopher Allen, Alison Kobayashi, Nadia Reiman, Pejk Malinovski, Josie Holtzman & Isaac Kestenbaum
Full Spectrum will expand your definition of what audio can be, while imparting concrete skills to add to your producer tool kit. Multimedia producers Isaac Kestenbaum and Josephine Holtzman will lead an interdisciplinary group of accomplished specialists to take you on a journey from storytelling to interactive design to composing—and beyond.
The week will be a combination of hands-on instruction, workshops, lectures, pitch sessions, experiments—and even an excursion or two. We’re looking for mid-career audio producers with the desire to expand their skills and their minds.
All classes take place at UnionDocs in the Williamsburg neighborhood of Brooklyn. There will be an evening excursion (date TBD) and a happy hour (TBD). Participation is encouraged, but optional.
December 11 – 15 2017
Full attendance is mandatory. If you are unable to attend each day of the intensive, please do not apply. Class meets from 10 a.m. – 5:30 p.m., Monday through Friday. Lunch will be provided on Monday. Snacks will be provided.
Full Spectrum has a competitive application process. We are looking for mid-career producers and story-first technologists from all walks of the media industry and beyond who have demonstrable skills in digital sound gathering, editing and mixing.
Filmmakers and those whose primary focus has been print, visual or moving image are strongly encouraged to attend, as well.
AIR membership is not required, though AIR members are eligible for a small travel stipend. A work sample is required with your application.
Please note: Participants will not produce projects during the week.
In order to keep costs down, this workshop is a BYOL, i.e. bring your own laptop. Students must be fully proficient using and operating their computers.
Application Period: September 25 – October 9, 2017
Applicants must submit a $75 deposit to hold their spot. If selected, that deposit will go toward the full coast of tuition. Deposits will be returned immediately to those who are not selected for the workshop.
Full payment from those accepted to Full Spectrum is due November 6, 2017. After November 6, tuition is non-refundable.
Please note: There is a 3-percent processing fee for Stripe payments.
New This Winter: Full Tuition Scholarship
AIR and UnionDocs are proud to offer a scholarship to one Full Spectrum attendee who can demonstrate financial need. Please submit your request for the scholarship, which waives the full tuition for the Intensive, on the Full Spectrum application form.
AIR Travel Stipends
AIR members living outside of NYC are eligible to receive a stipend ($100) to help underwrite fees and travel. If you’ve received a stipend or mentorship opportunity in the past two years from AIR, you may not be eligible.
If you’d like to join AIR to become eligible for the travel stipend, go here. Participants coming from outside NYC are responsible for their own transportation and room and board during the intensive. UnionDocs can provide assistance in locating housing and guidance for getting around town for those not native to New York.
2017 Winter Curriculum Overview
Redefining Immersive Multimedia
“Immersive” and “multimedia” are perpetual buzzwords, perhaps calling to mind an expensive virtual reality headset being hawked by a startup at SXSW. But this session will redefine those concepts—showing you how simple tools and a willingness to break rules can turn audio pieces into powerful storytelling experiences. Josephine Holtzman and Isaac Kestenbaum will draw on their work producing soundwalks, events, and interactive experiences to lead this session.
Instructors: Isaac Kestenbaum and Josephine Holtzman (“Frontier of Change,” Localore: Finding America)
Stories and Numbers
Numbers can help tell stories, if you know how and where to look. The Guardian’s Mona Chalabi will lead this session on how to find the tales hidden in data—and how to best visualize those stories. We’ll also look at making maps, charts, and even sonifying data. Mona will be available to advise on data-driven pieces in development.
Instructor: Mona Chalabi, Data Editor, Guardian US
Composing For the Ear
Learn how to use music and sound design to turn radio pieces into true compositions. Alex Overington will lead this session on how to score your pieces with music—and other sounds. You may never need to resort to the Free Music Archive again.
Instructor: Alex Overington (“Radiolab”)
Diversity of Stories
Stories on race and diversity can all too often end up in the realm of the cliché. Yet reporting on these subjects is increasingly important. Nadia Reiman will talk about avoiding blind spots, finding original subjects, recognizing clichés—and what separates a proper story from an “explainer.”
Instructor: Nadia Reiman (Senior Editor, “Latino USA”)
Podcasts are having a moment—there are over 400,000 podcasts out there now, with more podcasts and podcast production companies launching seemingly daily. Jenna Weiss Berman, co-founder of Pineapple Street Media, will talk about her own career path and what led her to start a podcast production company, as well as her perspective on the future of the industry. Students will then have the opportunity to pitch their own podcast ideas to Jenna.
Instructor: Jenna Weiss-Berman (Pineapple Street Media)
Josephine Holtzman (lead instructor) is a lead producer for NPR Music’s multi-platform and award-winning program “Jazz Night in America.” She is also the head producer for “The Trip,” a travel podcast for Roads and Kingdoms. She is co-creator of “Frontier of Change” part of AIR’s Localore: Finding America initiative. A graduate of Vassar College and the Salt Institute for Documentary Studies, her reporting has aired on “Weekend Edition,” “All Things Considered,” “Studio 360,” and the “ReSound” podcast. She is co-founder of the climate change audio project, “Winters Past.”
Isaac Kestenbaum (lead instructor) is the co-creator of Frontier of Change, a multimedia project about the changing climate and culture in Alaska, part of AIR’s Localore: Finding America initiative. He is the former Production Manager at StoryCorps, where he won a George Foster Peabody Award and an Alfred I. duPont award for work commemorating the tenth anniversary of September 11, 2001. Other production work includes: The Fix, a series on NYC’s opioid crisis for the GroundTruth project, and Winters Past, a multimedia piece about changing winters.
Composer and producer Alexander Overington was born and raised in New York City. He is responsible for the sonic footprint of Q2 Music’s Meet the Composer podcast, which he co-produces along with host Nadia Sirota. After double-majoring in both acoustic and electronic music composition at Oberlin Conservatory, he apprenticed under composer/producers Valgeir Sigurðsson and Ben Frost at Greenhouse Studios in Reykjavik, Iceland. Alex now lives and composes back in New York, where he has opened his own studio and co-founded the record label, Rest Assured. Alex can be found teaching sound design at The New School.
Nadia Reiman is Senior Editor at Latino USA. She has been a radio producer since 2005. Before joining the Latino USA team, Nadia produced for StoryCorps. Her work there on 9/11 stories earned her a Peabody Award. She has also mixed audio for animations, assisted on podcasts for magazines, and program managed translations for Canon Latin America. Nadia has also produced for None on Record, editing and mixing stories of queer Africans, and worked on a Spanish language radio show called Epicentro based out of Washington, DC. She graduated from Kenyon College with a double major in International Studies and Spanish Literature.
Alison S. M. Kobayashi is a visual artist working in video, performance, installation and drawing. She has exhibited and screened work widely in North America and overseas at venues such as Hallwalls Contemporary Art Center, Jakarta International Film Festival, The Power Plant Contemporary, Anthology Film Archives, Bilbao International Film Festival, and The Flaherty International Film Seminar. In 2012 she was commissioned by Les Subsistances (Lyon, France) to develop and stage her first live performance. Her most recent project is the extremely popular performance Say Something Bunny!, based on two audio spools hidden inside an obsolete wire recorder purchased at an estate sale. She was born and raised in Mississauga, Ontario and is currently based in Brooklyn.
Christopher Allen is a founder of UnionDocs and is currently the Artistic Director. After graduating from Columbia University and studying at Trinity College Dublin, Allen worked as a social entrepreneur, documentary director, and new media artist. His individual works and collaborative projects have been exhibited at the MoMA, Harvard’s Carpenter Center for Visual Arts, the Volksbühne Theatre, DirektorenHaus in Berlin, Independent Film Week, Sonár, DIVA, and Conflux Festivals, among many other venues. He directed the interactive documentary Capitol of Punk, which was part of “Design and the Elastic Mind” at the Museum of Modern Art, and he is currently in post-production on the feature Diamond Vehicle, shot in Tibet, China, Nepal, and India. Christopher was founding-partner of Counts Media, and played a leading role in the invention and execution of many art & entertainment concepts there, such as The Ride NY, a live theatrical and cinematic experience on the streets of the city, and Yellow Arrow, a place-based storytelling project exhibited online and in galleries and museums internationally.
Pejk Malinovski went to a Marxist kindergarten in his hometown of Copenhagen. He is a poet, translator and radio producer. His radio dramas, conceptual documentaries and sound art pieces have aired on radio stations around the world (including New York’s own WNYC and the BBC) and been shown in museums and galleries. In 2012 he launched Passing Stranger an audio walking tour of the East Village’s poetry history. He was also the co-creator and host of Thirdear an online audio magazine and he continues to edit and translate books for Forlaget Basilisk a poet-run publishing house in Copenhagen. In 2014 he won the Prix Europa for his work “Everything, Nothing, Harvey Keitel.”
Mona Chalabi is data editor at Guardian US. She previously worked at FiveThirtyEight, the Bank of England, the Economist Intelligence Unit, Transparency International and the International Organisation for Migration. Follow her on Twitter @MonaChalabi and on Instagram @Mona_Chalabi.
Sean Cole began his radio career as an intern at Boston station WBUR in 1997, and went on to work as field producer for WBUR’s “Morning Edition” and then as a reporter for the documentary series “Inside Out.” Over the years, he’s contributed to lots of other public radio programs including “Radiolab,” “Marketplace,” “Studio 360,” “All Things Considered,” “99% Invisible” and “This American Life” where he is currently on staff. Sean’s awards include an Overseas Press Club citation for his documentary “South Africa’s Kwaito Generation – Inside Out” and a UNITY Award for his story about P.B.S. Pinchback, the first African American governor in U.S. history.
Jenna Weiss-Berman is co-founder of podcast company Pineapple Street Media, which has produced shows for The New York Times, Hillary Clinton, Lena Dunham, Morgan Stanley and Wieden+Kennedy. After almost a decade working in public radio on such shows as The Moth and StoryCorps, Jenna started the podcast department at BuzzFeed and created Another Round and Women of the Hour with Lena Dunham. She currently sits on the advisory board of The Moth.