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Feb 16, 2017 at 7:08 pm
Cinematography Weekend Intensive: Higher Visions within Lower Budgets
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Today’s most innovative cinematography is happening within micro and small budget cinema. Contemporary cinematographers are inspired by these constraints to push toward new ways of filmmaking.
This weekend workshop will provide hands-on classes and lectures geared toward practical application of the strategies used by top cinematographers in documentary and fiction filmmaking.
The workshop will be lead by Yoni Brook (Spirit Award for Cinematography nominee “Valley of Saints”), who will lead discussions with guest instructors Omar Mullick (These Birds Walk), and Paul Yee (The Fits), Nadia Hallgren (Trouble The Water, Trapped, Citizen Koch), Luke Geissbuhler (Borat), Michael Simmonds (Man Push Cart, Chop Shop) Sessions will be structured as masterclasses, consisting of screenings from each cinematographer’s work, followed by discussions to break down the specific story approaches and tools. We’ll investigate the fluidity between fiction and documentary filmmaking, and how techniques from each genre can be applied toward the other.
Participants in the workshop should be intermediate to advanced practitioners of cinematography, either as a working professionals or advanced students. Participants should come prepared to present examples of their work for feedback and discussion from the visiting lecturers and fellow participants.
This workshop is three full days; please only enroll if you can commit to the entire schedule.
Important Facts
When: Friday May 20th to Sunday May 22nd, 10am-5pm
Where: UnionDocs, 322 Union Avenue, Brooklyn, NY 11211
Who is eligible?
Open to everyone, though the workshop setting is best suited for intermediate to advanced practitioners of cinematography and filmmaking
Give us an idea of who you are and why you are coming. When you register you will be asked for a short statement of interest that should briefly describe your experience in filmmaking practice and a project in progress, plus a bio. There’s a spot for a link to a work sample and CV, which would also be nice, but is not required.
Please note: Participants are accepted on a first-come, first-serve basis. Please note: Participants are accepted on a first-come, first-serve basis. Focus is on screening, discussion and workshopping with guest speakers and participants. The goal is to help the students define and develop a strong cinematography strategy for their current and future film projects.
Cost:
$385 early bird registration by April 29th, 2015 at 5PM
$450 regular
Please note that the service charge is waived if payment is made via check.
Checks can be made out to UnionDocs and mailed to 322 Union Ave, Brooklyn, NY 11211.
Participants coming from outside NYC are responsible for their own transportation and room and board during the intensive. UnionDocs can provide assistance in locating housing and guidance for getting around town for those not native to New York.
Workshop Policies:
The deposit is non-refundable. Should you need to cancel, you’ll receive half of your registration fee back until April 29th. After April 29th, the fee is non-refundable.
In the event that a workshop does not receive sufficient enrollment, it may be canceled. Students will be notified at least 48 hours prior to the start of a cancelled workshop and will be refunded within 5 business days. If we reschedule a workshop to another date, students are also entitled to a full refund. UnionDocs reserves the right to change instructors without prior notification, and to change class location and meeting times by up to an hour with 48 hours prior notice.
Technology Requirements:
In order to keep costs down, this workshop is a BYOL, i.e. bring your own laptop.
Schedule
Day I
Lecture I: Cinematography: a creative process
A personal introduction by Yoni Brook. Examining his own career and influences, Brook will introduce micro-budget cinematography, and the creative possibilities embodied within limitations.
Lecture II: Relationships
With cinematographer and filmmaker Nadia Hallgren, we’ll talk about the methods of verite documentary filmmaking. We’ll explore how cinematographers build relationships with our subjects in front of the camera, as well as directors and producers on the creative team.
Guest Speaker: Nadia Hallgren, cinematographer of Trouble The Water, Trapped, Citizen Koch, Tough Love, War Don Don and The New Black.
Day II
Workshop I: Lighting
With limited resources, cinematographers must improvise ways of conveying emotion with lighting and camera positions. We’ll discuss strategies of lighting and camera placement with an emphasis on pre-production with cinematographer Paul Yee. We’ll conduct a brief hand-ons workshop about creating lighting schemes on a limited budget.
Guest Speaker: Paul Yee, cinematographer of The Fits, Bob’s Burgers Live The Movie, and HBO’s East of Main Street.
Lecture III: On Location
Luke Geissbuhler has shot projects requiring high degrees of precision (OK GO) as well as documentaries produced within uncontrollable contexts (Buck, Borat, Urbanized). We’ll explore situations from his filmography where he has maximized limited budgets (including sending a homemade ballon to edge of space).
Guest speaker: Luke Geissbuhler: cinematographer of Borat, Buck, Helvetica, Urbanized and narrative features, including Match, with Sir Patrick Stewart.
Day III
Workshop II: Handheld camera
We’ll examine strategies for using the handheld camera as a storytelling device. With guest Omar Mullick we’ll conduct a handheld workshop out on the streets of Brooklyn. Students should bring camera (or even a mobile phone) to shoot a sample scene for discussion.
Guest speaker: Omar Mullick: director and cinematographer of These Birds Walk. Clients HBO, VICE, CNN, PBS, Discovery and The Gates Foundation.
Lecture IV: Genre
With Michael Simmonds, we’ll discuss the differences between shooting documentary and narrative features. Michael has shot documentaries that look like narrative features (Project Nim) and narrative features that look like documentaries (Chop Shop, White Girl, Paranormal Activity 2) We’ll discuss each genre’s cinematic conventions, and how the cinematographer can subvert them to shape the narrative.
Guest Speaker: Michael Simmonds, Cinematographer of Man Push Cart, Chop Shop, Big Fan, White Girl, and documentaries The Order of Myths and Project Nim.
Bios:
Yoni Brook is a director and an Independent Spirit Award-nominated cinematographer. He shot his first feature film, VALLEY OF SAINTS, winner of the Audience Award at the 2012 Sundance Film Festival, with a makeshift crew under a military curfew in Kashmir. He is the cinematographer of Syeed’s upcoming feature film A STRAY (SXSW ‘16). As a cinematographer, he has also collaborated with directors Sam Green, Matt Wolf, Marilyn Ness, Eric Gottesman, and Pacho Velez. In collaboration with Musa Syeed, he has directed three documentary films: BRONX PRINCESS (PBS POV, Berlinale), THE CALLING (PBS Independent Lens), and A SON’S SACRIFICE (PBS Independent Lens, Winner Best Documentary Short at the Tribeca Film Festival).
Project photos — Valley of Saints
Omar Mullick
Omar Mullick is a film director and cinematographer known for his work on the 2013 feature film THESE BIRDS WALK. In 2012, Filmmaker Magazine named Omar one of the 25 New Faces of Independent Film. Premiering at SXSW in 2013 and distributed theatrically by Oscilloscope Laboratories, THESE BIRDS WALK went on to be named as one of the best films of the year by the New Yorker Magazine, Indiewire, and Sight + Sound Magazine. It currently ranks as one of the best ever rated documentaries on Rotten Tomatoes. Trained as a photographer, Omar’s work was published in The New York Times, Foreign Policy Magazine, National Geographic and TIME, receiving awards from the Doris Duke Foundation, the Western Knight Center for Journalism, Annenberg and Kodak. In 2009 he was granted a solo show of his photographs titled ‘Can’t Take It With You’ at the Gallery FCB in Chelsea, New York. His current work as a cinematographer and director includes as clients HBO, VICE, CNN, PBS, Discovery, Al Jazeera America and The Gates Foundation.
Paul Yee is a cinematographer based in New York City. He recently lensed The Fits (Venice 2015, Sundance 2016, New Directors/ New Films 2016), Anna Holmer’s debut narrative feature. It will be released by Oscilloscope Laboratories in the summer of 2016. He has worked on the award-winning HBO documentary series East of Main Street since its inception in 2010. He is also the additional cinematographer for It’s Me, Hilary: The Man Who Drew Eloise (Sundance 2015). He has shot music videos for artists ranging from Aimee Mann to ZZ Top which have gone on to screen at film festivals such as SXSW and the LA Film Festival. Paul has also shot short-form documentaries for the Whitney Museum, MOMA, and the New Museum and worked on a variety of commercial projects for clients such as L’Oreal, DIRECTV, and Clear Channel. He is an avid cook and food photographer, which has led him to direct and/or shoot for Barilla, Sabra, and Campbell’s. Prior to becoming a cinematographer, Paul spent several years as a gaffer on independent films, experience that provided him with a strong technical background in lighting.
Nadia Hallgren is an award winning filmmaker and cinematographer from the Bronx, New York with over a decade of experience working across 5 continents. She has DP’d numerous feature films including the Academy Award nominated and Sundance grand jury prize winner Trouble the Water, Trapped, Citizen Koch, Tough Love, War Don Don, and The New Black. Hallgren has also contributed photography to Fahrenheit 9/11, Searching for Sugarman, The Hunting Ground, Suited, Southern Rites and How To Dance in Ohio. Nadia has worked closely with top documentary filmmakers including, Sharmeen Obaid-Chinoy, Joe Berlinger, Morgan Spurlock,, and recently co-directed a short film with Laura Poitras. Nadia specializes in cinema verite and was trained under the tutelage of KIrsten Johnson. Hallgren is a Sundance Fellow, a Cinereach fellow, and an alum of International Center of Photography. Nadia serves on the board of the Bronx Documentary Center, a non-profit organization dedicated to sharing photography and film with underserved Bronx Communities.
Luke Geissbühler has excelled as a cinematographer in nearly all genres of filmmaking with over 25 feature films, 20 documentaries, and countless television shows, commercials, and web content to his name. His achievements include having shot Borat, the documentaries Buck and Helvetica, as well as Sir Patrick Stewarts’s tour de force performance in the film Match. He has been entrusted to photograph the most beautiful women in the world working with Victoria’s Secret consistently for many years. Luke became unexpectedly world renowned when he and his eight year old son launched a camera into astonishing near space in a homemade capsule, as seen in the short filmSpace Balloon. A native New Yorker and self taught engineer, he received a Bachelor of Fine Arts from New York University’s Tisch School before starting his career at R/GA doing special effects and tabletop photography. Since then, he has traveled the globe many times over to orchestrate elaborate shoots for OK Go, The Muppets, Nike, Amazon, Adam McKay, Doug Liman, Barry Levinson, and Katherine Bigelow, among many others.
http://www.lukegeissbuhler.com/
