Threading Frames: Creative Editing for Nonfiction Storytelling
As editors & filmmakers how do we define our style or the intended tone in a film?
As editors & filmmakers how do we define our style or the intended tone in a film?
What is a sur/realist form of documentary? Can you film ghosts?
In a world overloaded with visual material there for the taking and an infinite potential towards a practice of remixing, how can we organize these images towards new narratives?
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