This session of DOCUMENTARY FUNDAMENTALS is about editing your next documentary. How can documentary directors work effectively with editors, sound designers, and other essential post-production talent? How does a story emerge from a pile of footage? Can you really “fix it in post”? What is an online edit and can you do it yourself? How does a good sound designer work, and how does post-production sound enhance your documentary?
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Jun 24, 2017 at 4:00 pm
Documentary Fundamentals: Editing
With Sara Jordenö, Gabriel Sedgwick, Keiko Deguchi, & Penny Lane
Sara Jordenö is a NYC-based documentary filmmaker, visual artist, researcher and educator. Jordenö’s longitudinal projects often engage with communities who reside in the margins, focusing on their strategies of survival. In the process of making these works, Sara has collaborated with (and at times shared authorship with) sociologists, activists, community organizers and members of the communities that she investigates. Her feature documentary KIKI, which premiered in the US documentary competition at the Sundance Film Festival in 2016, has since been shown in over 60 festivals on five continents. KIKI, which was co-written with community leader Twiggy Pucci Garcon and produced by Story and Hard Working Movies, was awarded the Teddy Award for Best Documentary Film at the Berlin International Film Festival, the Kathleen Bryan Edwards Award for Human Rights at Full Frame Documentary Festival, The German Queerscope Award and Outfest’s Emerging Talent Award, among other awards. KIKI was released theatrically in Sweden in the summer of 2016 by Folkets Bio and the US in the spring of 2017 by Sundance Selects/IFC. For KIKI, Jordenö was nominated for the 2017 Film Independent Spirit Truer Than Fiction Award. In 2016 she was named by Variety and EFP as one of “Ten Women Filmmakers to Watch.”
Gabriel Sedgwick hails from Sweden but lives in New York City, where he has produced several award-winning films that have screened at festivals such as SXSW, New Directors/New Films, Urbanworld, BAM’s New Voices in Black Cinema, and Karlovy Vary, including Lanre Olabisi’s fiction features AUGUST THE FIRST and SOMEWHERE IN THE MIDDLE (both distributed by Film Movement in the US). As Head of Production at Brooklyn-based production company Hard Working Movies, he also co-produced Jeremiah Zagar’s feature-length documentary CAPTIVATED: THE TRIALS OF PAMELA SMART, which premiered in competition at Sundance 2014 and was broadcast on HBO in the US and on television all over the world, and recently line produced Sara Jordenö’s KIKI, which premiered in competition at Sundance 2016, won the Teddy for best feature-length doc at the Berlin International Film Festival 2016, and is distributed in the U.S. by IFC Films. He most recently produced Penny Lane’s short documentary JUST ADD WATER for CNN Films, and is currently in production on a bunch of wacky things. He is a National Board of Review fellow, a Berlin Film Festival Talents alumni, and when not making movies, can be heard emitting falsetto noises in the Brooklyn-based musical constellation Odd Rumblings.
Keiko Deguchi came to New York from Japan in 1985 to study cinema at NYU and has been working as a film editor since 1987. Her documentary film credits include Gayle Ferraro’s ANONYMOUSLY YOURS, GANGES: RIVER TO HEAVEN, and a PBS special BEYOND BROWN: PURSUING THE PROMISE (Executive Producer Stanley Nelson.) Her narrative film credits include Patrick Stettner’s THE BUSINESS OF STRANGERS, Tom DiCillo’s THE REAL BLONDE, Susan Seidelman’s BOYNTON BEACH CLUB, and Bette Gordon’s LUMINOUS MOTION. Most recently she was an editor on Steven Shainberg’s narrative feature FUR. Deguchi won The James Lyons Award for Best Editing of a Feature Documentary for IN A DREAM (Jeremiah Zagar, 2008) at the Woodstock Film Festival.
Penny Lane is a Sundance award-winning nonfiction filmmaker who was named one of Filmmaker Magazine‘s “25 New Faces of Independent Film” in 2012 and a Chicken & Egg Breakthrough Award winner in 2016.
Her most recent film NUTS! premiered at Sundance 2016, where it won a Special Jury Award for Editing. It has since screened at many other film festivals such as Hot Docs, Full Frame, Ashland, Maryland, Cleveland, Sarasota and BAFICI. The film is now in wide distribution.
Her debut feature-length documentary OUR NIXON premiered at Rotterdam 2013, had its North American premiere at SXSW, won the Ken Burns Award for “Best of the Festival” at Ann Arbor, and was selected as the Closing Night Film at New Directors/New Films. The film is in wide distribution, and has aired on CNN, ARTE France, and many other television outlets worldwide.
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DOCUMENTARY FUNDAMENTALS! A nuts-and-bolts professional development series designed for the emerging or intermediate documentary filmmaker, Documentary Fundamentals at UnionDocs is a six-part program taking place over the course of one weekend. Buy a SERIES PASS ($125) or choose to attend individual sessions ($25/each). This program has been an ongoing series at UnionDocs for many years. It developed from our experience with documentarians who needed a better foundation across the board to navigate production and distribution as an independent filmmaker in today’s landscape.
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