We’re delighted to present an evening of cinema and conversation with Kelly Anderson and Jay Arthur Sterrenberg’s thrilling documentary Emergent City!

“Emergent City is not a polemic, nor does it fall into the “all sides” trap of equivocation. It’s curious and patient, taking the time to understand its subject. It leaves enough wiggle room for the audience to make up its own mind, a kind of nonfiction Rorschach test to help us illuminate how we really think about everything from housing costs to climate change.”

— Alan Zilberman, Washington City Paper

Verité thriller Emergent City chronicles a critical period of transformation for the Sunset Park neighborhood in waterfront Brooklyn. Over the course of several years the film presents the intersections of multiple stakeholders and divergent interest groups as the plot known as Industry City changes owners and faces redevelopment and rezoning. Local council, community members, small business owners and large developers go head to head in this observational civic epic. Emergent City sheds light on power and process, illuminating systems and giving viewers a front row seat to the public and private spaces where the city is shaped. The film explores the profound intersections of gentrification, climate crisis and real estate development, and asks how change might emerge from dialogue and collective action in a world where too many outcomes are constrained by money, politics and business as usual.

The screening will be preceded by a presentation by directors Jay and Kelly, joined remotely by producer Brenda Àvila-Hanna, discussing the inception of the film, where the idea came from, initial encounters with the film’s subject and the original vision at the outset of the project.

Note: We’re overjoyed that this year’s Documentary Fundamentals course is led by Kelly Anderson and Jay Arthur Sterrenberg! Emergent City will serve as a case-study for DOC FUNDAMENTALS, our annual six session professional development series, across all the sessions including RESEARCH & FINANCING, VISUAL LANGUAGE, ACCESS & FIELD WORK, POST PRODUCTION and RELEASING your documentary. Each session features a range of exciting, advanced and award-winning professionals from the field and many from this film who represent all aspects of producing a documentary feature. It is perfect as a primer or a way to refocus and rethink your project in today’s changing landscape! You can attend all sessions with a SERIES PASS or just tackle the hurdles where you need help with a single session.

Buy a Series Pass

DOCUMENTARY FUNDAMENTALS: A professional development series designed to give the emerging or intermediate documentary filmmaker an inside look at the filmmaking process from pre-production planning to post-production and distribution. Over the past few years, UnionDocs has developed this ongoing program for documentarians that desire a better foundation for navigating the modern landscape of independent filmmaking. This six-part program takes place over the course of one weekend at UnionDocs. Buy a SERIES PASS ($175) or choose to attend individual sessions ($35/each).

Instructors

Kelly Anderson is a Sunset Park based documentary filmmaker whose most recent film is Rabble Rousers: Frances Goldin and the Fight for Cooper Square (w. Ryan Joseph and Kathryn Barnier). Her 2012 film My Brooklyn, about the hidden forces driving gentrification, was broadcast on PBS’ America ReFramed. Kelly produced and directed Every Mother’s Son (PBS, 2004, w. Tami Gold), about mothers whose children were killed by police, which won the Tribeca Audience Award and aired on POV. She produced and directed Out At Work (HBO, 2000, w. Tami Gold), which premiered at Sundance. Kelly chairs the Department of Film and Media Studies at Hunter College (CUNY)

Jay Arthur Sterrenberg is a New York City based filmmaker, editor and co-founder of the Meerkat Media Collective whose work has screened at Sundance, Tribeca, IDFA, CPH:DOX and broadcast on PBS, HBO, Netflix & Hulu.

Jay’s two decade documentary editing career began with collaborations with DCTV’s Jon Alpert & Matt O’Neil on the HBO documentaries Section 60: Arlington National Cemetery (2008), Wartorn (2010) and Oscar nominated Redemption (2012). He also edited the Oscar shortlisted films Dark Money (dir. Kimberly Reed, 2018) and After Maria (dir. Nadia Hallgren, 2019) and a has had a long collaboration with filmmaking duo Shaul Schwarz & Christina Clusiau – Narco Cultura (Sundance 2013), Emmy-winning Trophy (CNN Films, 2017), Emmy-nominated FLY (Nat Geo, 2024) and the 2020 Netflix doc series Immigration Nation, which won a Peabody Award and Best New Documentary Series at the Independent Spirit Awards.

As a director, his films find cinematic ways to explore process & democracy. A believer in collective filmmaking, he co-directed many independent films with the Meerkat Media Collective including Stages (2010), Consensus: Direct Democracy at Occupy Wall Street (2011) and Brasslands (2013). His solo directorial debut was the observational short film Public Money (POV, 2018) which paved the way for the feature-length collaboration with Kelly Anderson: Emergent City (POV, 2025).

Brenda Àvila-Hanna is a filmmaker and educator born and raised in Mexico City and currently based in Central California. Her films mostly focus on transnational stories, spaces and identities. Brenda is a recent fellow for the Sundance Documentary Producing Lab, Points North, BAVC’s National MediaMaker, NALIP and DocsMX. Brenda was in the inaugural cohort of DOC NYC’s “Documentary Industry New Leaders” and was a 2021 Rockwood/Just Films Fellow. She is a producer of the ITVS supported documentary EMERGENT CITY  (Dir. Kelly Anderson & Jay

Sterrenberg), which premiered at the 2024 Tribeca Film Festival and aired nationally on PBS. Brenda is also a producer of the Sundance Institute supported HOW TO CLEAN A HOUSE IN TEN EASY STEPS (Dir. Carolina Gonzalez), currently in festivals. She is also a co-producer of American Pachuco: The Legend of Luis Valdez (Dir. David Alvarado), winner of the U.S. Documentary Audience Award and Festival Favorite Award at Sundance. Brenda received an M.A. in Social Documentation from UCSC, where she teaches various storytelling courses. She is a Board Member of the Watsonville Film Festival.